{"id":151940,"date":"2020-01-20T12:00:57","date_gmt":"2020-01-20T12:00:57","guid":{"rendered":"https:\/\/www.transcend.org\/tms\/?p=151940"},"modified":"2020-01-20T11:24:47","modified_gmt":"2020-01-20T11:24:47","slug":"bolsonaro-under-fire-dismisses-his-culture-minister-for-giving-a-nazi-speech-but-it-is-still-representative-of-brazils-governing-ethos","status":"publish","type":"post","link":"https:\/\/www.transcend.org\/tms\/2020\/01\/bolsonaro-under-fire-dismisses-his-culture-minister-for-giving-a-nazi-speech-but-it-is-still-representative-of-brazils-governing-ethos\/","title":{"rendered":"Bolsonaro, under Fire, Dismisses His Culture Minister for Giving a Nazi Speech, but It Is Still Representative of Brazil\u2019s Governing Ethos"},"content":{"rendered":"

18 Jan 2020 – <\/em>Brazilian President Jair Bolsonaro, under severe pressure from multiple corners, on Friday fired his Culture Minister,\u00a0Roberto Alvim, for recording and publishing what can only be described \u2014 with no hyperbole \u2014 as a Nazi speech about Brazilian art. Indeed, the speech, published by Alvim on Thursday, plagiarized Hitler\u2019s Minister of Culture and Communications Joseph Goebbels and deliberately copied his style and aesthetic when decreeing what Brazilian art must be in the years to come:<\/p>\n

\u201cThe Brazilian art of the next decade will be heroic and national. It will be endowed with a great capacity for emotional involvement and will be equally imperative, since it is deeply linked to the urgent aspirations of our people, or else it will be nothing.\u201d<\/em>
\n\u00a0\u2014\u00a0<\/em>Roberto Alvin, Brazil\u2019s Culture Minister, January 15, 2020<\/strong><\/p>\n

\u201cThe German art of the next decade will be heroic, romantic, objective and free of sentimentality, national with great pathos and equally imperative and binding, or nothing.\u201d<\/em>
\n\u2014 <\/em>Joseph Goebbels, Nazi Culture Minister, October 8, 1933<\/strong><\/p><\/blockquote>\n

The Nazi content, style and aesthetics of the 6-minute speech, set to the score of a Wagnerian opera, are impossible to overstate or even adequately describe in words. It has to be seen to be believed. For that reason, the Intercept has translated the video of the speech\u00a0and\u00a0is publishing the first English-subtitled copy of it because it should be seen by everyone:<\/p>\n

httpv:\/\/www.youtube.com\/watch?v=fQ2F-c8cZM4&feature=emb_logo<\/p>\n

Brazil\u2019s\u00a0O Globo<\/em> newspaper featured this surreal headline on its front page: \u201cBolsonaro fires Culture Minister after he copies Nazi speech.\u201d The German paper Deutsche Welle\u00a0featured<\/a> the\u00a0photo of the 1933 speech of Goebbels which Alvim copied next to the one delivered by the Brazilian Culture Minister to juxtapose how similar it was on all levels, beyond just the words:<\/p>\n

\"\"<\/a>

Deutsche Welle<\/p><\/div>\n

The content of Thursday\u2019s [15 Jan] speech was nothing new for Alvim, once a respected theatre\u00a0director who re-invented himself as a far-right religious fanatic. In his short stint as Bolsonaro\u2019s Culture Minister and in the months leading up to his appointment by the Brazilian president, he has issued a series of similarly shocking comments, just not quite as shocking as blatantly and deliberately mimicking the speech, style and mannerisms of Adolf Hitler\u2019s most notorious propagandist.<\/p>\n

On social media, he has declared himself fighting a \u201ccultural war\u201d in favor of \u201cconservative artists\u201d; denounced one of Brazil\u2019s most beloved\u00a0actresses, the 90-year-old Fernanda Montenegro, as a \u201cdirty liar\u201d for whom he harbors \u201ccontempt\u201d; and attacked the Brazilian filmmaker Petra Costa, whose documentary \u201cEdge of Democracy\u201d was just nominated for an Academy Award, as a leftist propagandist disseminating lies.<\/p>\n

Notably, Alvim was fired only after the embassies of Germany and, far more importantly to Bolsonaro, Israel issued condemnations containing harsh language rare for diplomatic communications. The Israeli Confederation of Brazil said: \u201cSuch a person cannot command the culture of our country and must be removed from office immediately.\u201d The German Embassy in Brazil said: \u201cThe period of National Socialism is the darkest chapter in German history, bringing infinite suffering to humanity\u2026.We oppose any attempt to trivialize or even glorify the era of National Socialism.\u201d The center-right presidents of the Brazilian Senate and House also demanded Alvim\u2019s firing, leaving Bolsonaro with little choice. When announcing the firing, Bolsonaro called the speech \u201can unfortunate pronouncement.\u201d<\/p>\n

\"\"<\/a><\/p>\n

But it is difficult to believe that absent those reactions, Bolsonaro would have fired his Culture Minister, whom he has repeatedly defended and praised, including in a Facebook live chat immediately prior<\/a> to the instantly notorious Nazi speech, hailing him as representative of \u201cthe real culture.\u201d Sitting with Alvim prior to his speech, the Brazilian president said: \u201cBeside me, here, Roberto Alvim, our Culture Secretary. Now we do have a real Culture Secretary, that serves the interest of the majority of the Brazilian population, conservative and Christian population.\u201d<\/p>\n

Whatever else is true, Alvim\u2019s speech, though more stylistically\u00a0extreme and indelicate in how crassly it copied pure Nazisms, is consistent in content with the posture of the Bolsonaro government toward artistic expression and cultural norms generally. Bolsonaro \u2014 though currently on his third wife while still claiming to be devoutly Catholic \u2014 has also adopted a form of evangelic fanaticism, a rapidly growing political force in the country, as part of his public identity and ideology (his current wife is evangelical).<\/p>\n

Bolsonaro, somewhat ironically in light of the current controversy, has also made\u00a0unyielding devotion to Israel critical to his political and religious identity (he has traveled to Israel repeatedly, offered unstinting support for the Netanyahu government against Palestinians, and was baptized in 2016 in the\u00a0Jordan River while the Brazilian Senate voted to impeach the center-left president Dilma Rousseff).<\/p>\n

httpv:\/\/www.youtube.com\/watch?v=Yl2nBsPvuyg&feature=emb_logo<\/p>\n

While all of this has caused many of Brazil\u2019s small Jewish communities in S\u00e3o Paulo and Rio de Janeiro to support him, it has little to do with affection for Jews.\u00a0Like many evangelicals, Bolsonaro appears to believe in some form of the Rapture (which, in its crudest form, holds that Israel must be united in order for Jesus to return and send all non-believers (including Jews) to hell), and like many authoritarians, adores Israel\u2019s capacity of military and intelligence superiority and its animus towards Muslims, and wants as much of its surveillance technology as he can get for domestic purposes. As is true of many far-right leaders<\/a>, Bolsonaro worships Israel but not necessarily Jews.<\/p>\n

Aggressive and harsh public morality is a central prong of Bolsonaro\u2019s political appeal. He featured as part of his 2018 campaign cultural themes similar to Alvim\u2019s speech \u2014 including a false but highly effective warning that elementary school teachers were using something he calls \u201cgay kits\u201d to convert young children in order to allow homosexuals to recruit them as sex partners \u2014 and generally has waged a war on any art or artists who diverge from Bolsonaro\u2019s vision of what pure nationalist art is. One of Alvim\u2019s predecessors as Culture Minister resigned after the Bolsonaro government cut funding specifically to LGBT-themed art.<\/p>\n

Earlier this week, Academy Award nominations were unveiled and one of the five contenders for Best Documentary was a Netflix film by the Brazilian director Petra Costa called \u201cEdge of Democracy,\u201d which warns of the dangers faced by Brazilian democracy. Though the film principally focuses not on Bolsonaro but on the impeachment of Dilma and imprisonment and election-barring of Lula, it has become a target of contempt by the Brazilian Right. After it received its Oscar nod, both Alvim and Bolsonaro publicly denounced the film as leftist agitprop \u201cfiction\u201d (though Bolsonaro, when asked, acknowledged he never saw it).<\/p>\n

A far graver assault on artistic expression occurred on Christmas Eve when a member of the right-wing party to which Bolsonaro belonged until recently threw a Molotov Cocktail<\/a>\u00a0at the building that houses Porta das Fundos, the production company responsible for a Netflix film that features a gay Jesus with a boyfriend. Bolsonaro\u2019s Congressman-son had inveighed against the film as \u201ctrash.\u201d Last week, a Bolsonaro-linked right-wing judge stunned the country, and Netflix, by issuing a\u00a0censorship order forcing Netflix<\/a> to remove the film from its streaming platform, a ruling overturned by a Justice of the Supreme Court.<\/p>\n

Nazi-style nationalism and crude public assaults have been repeatedly featured by Bolsonaro in his remarks to journalists.\u00a0On Thursady, addressing a new book critical of his government by a Brazilian reporter of Japanese descent,\u00a0Tha\u00eds Oyama, Bolsonaro\u00a0said he does not know what she is doing in Brazil, adding: \u201cThis journalist \u2026 In Japan she was going to starve to death.\u201d<\/p>\n

Last month, in response to a reporter\u2019s question about the still-unfolding scandal<\/a> involving his Senator-son\u2019s corruption and the family\u2019s links to violent paramilitary militias, the president said<\/a>\u00a0\u201cyou have a terribly gay face,\u201d and told another reporter to \u201cask your mother about your father.\u201d When questioned earlier this week about a scandal involving his Communications Minister who has private contracts with the same television outlets whose public budget he is responsible for determining, the president responded: \u201care you talking about your mother?\u201d<\/p>\n

A report issued earlier this week<\/a> by a press freedom group documented that Bolsonaro is directly responsible for the majority of the attacks on journalists and media outlets. It cited, among other things, Bolsonaro\u2019s\u00a0repeated public incitements against journalists as well as his public threats that I might\u00a0be\u00a0imprisoned<\/a> for the series of expos\u00e9s<\/a> published this year by the Intercept about his Justice Minister and his accusations<\/a> that my marriage to a Brazilian Congressman and adoption of Brazilian children was a fraud.<\/p>\n

Earlier this month, Bolsonaro pronounced<\/a> that books in schools have too much content and need to be made \u201csofter\u201d and warned that \u201cbeginning in 2021, all the books will be ours,\u201d proclaiming that they will have the Brazilian flag and national anthem on their cover. He added that \u201cthey will be made for us. The country will vibrate\u2026. There will be the Brazilian flag on the cover, there will be the national anthem there.\u201d He claimed that the \u201cidiots\u201d who have been in charge of Brazilian education have been propagandizing children with the \u201cgender of ideology\u201d that \u201cencourages boys to wear skirts\u201d and \u201cother things that I don\u2019t want to talk about here.\u201d On Thursday, he said<\/a> leftists \u201cdo not deserve to be treated like normal people.\u201d<\/p>\n

In sum, Bolsonaro has spent years spouting classically fascist ideology. The manifestation of undisguised Nazism by his Culture Minister was just a slightly more crass and naked expression of his ideology and mentality. Many Brazilian elites who supported Bolsonaro largely because of their admiration for his Chicago-trained, austerity-loving Economics Minister Paulo Gedes and his corrupt law-and-order Justice Minister Sergio Moro (the subject of the 2019 Intercept\u2019s expos\u00e9s<\/a>) are now feigning shock and outrage. But Alvim\u2019s speech simply shined a light on the true face of the Bolsonaro movement \u2014 one which all to many political and media elites decided to ignore, or pretend was just a game, because they were eager for the parts of Bolsonaro\u2019s ideology that served their interests.<\/p>\n

________________________________________<\/p>\n

\"\"<\/a><\/em><\/p>\n

 <\/p>\n

Glenn Greenwald<\/a> – glenn.greenwald@\u200btheintercept.com<\/a> <\/em><\/p>\n

 <\/p>\n

\"\"<\/a><\/em><\/p>\n

 <\/p>\n

 <\/p>\n

Victor Pougy<\/a> – victor.pougy@\u200btheintercept.com<\/a> <\/em><\/p>\n

 <\/p>\n

Go to Original \u2013 theintercept.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

18 Jan 2020 – Brazilian President Jair Bolsonaro, under severe pressure from multiple corners, yesterday fired his Culture Minister, Roberto Alvim, for recording and publishing what can only be described \u2014 with no hyperbole \u2014 as a Nazi speech about Brazilian art. WATCH: the literal Nazi speech with English subtitles that has shone a light on the true ideology of the Bolsonaro movement. <\/p>\n","protected":false},"author":4,"featured_media":152048,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[180],"tags":[1176,547,239,101,290,725,1794,541,959,109,372],"class_list":["post-151940","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-brics","tag-bolsonaro","tag-brazil","tag-brics","tag-cultural-violence","tag-culture","tag-culture-of-violence","tag-joseph-goebbels","tag-latin-america-caribbean","tag-neo-nazis","tag-politics","tag-propaganda"],"_links":{"self":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/151940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/comments?post=151940"}],"version-history":[{"count":0,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/151940\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/media\/152048"}],"wp:attachment":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/media?parent=151940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/categories?post=151940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/tags?post=151940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}