{"id":167611,"date":"2020-08-31T12:00:43","date_gmt":"2020-08-31T11:00:43","guid":{"rendered":"https:\/\/www.transcend.org\/tms\/?p=167611"},"modified":"2020-08-27T07:24:03","modified_gmt":"2020-08-27T06:24:03","slug":"palestinians-stage-surprise-thank-you-event-for-banksy-in-bethlehem","status":"publish","type":"post","link":"https:\/\/www.transcend.org\/tms\/2020\/08\/palestinians-stage-surprise-thank-you-event-for-banksy-in-bethlehem\/","title":{"rendered":"Palestinians Stage Surprise &#8216;Thank You&#8217; Event for Banksy in Bethlehem"},"content":{"rendered":"<blockquote><p><em>Photographs of works go on display in Manger Square to celebrate British street artist\u2019s contribution to diversifying tourism.<\/em><\/p><\/blockquote>\n<p><img decoding=\"async\" class=\"maxed responsive-img aligncenter\" src=\"https:\/\/i.guim.co.uk\/img\/media\/06cfd29e0acbc6e2b36472e485bcbee98e1aff7a\/0_0_1800_1080\/master\/1800.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8ea23854c49a3cb6fcb42cb590bfd9fd\" alt=\"The Banksy exhibition in Bethlehem.\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Photographs of 20 pieces of Banksy\u2019s artwork in Palestine were displayed.<\/strong><br \/>\n<strong>Photograph: Murad Abusrour<\/strong><\/p>\n<p><em>21 Aug 2020 &#8211; <\/em>Photographs of 20 pieces of Banksy\u2019s artwork in Palestine have been displayed in the centre of Bethlehem as a thank you to the anonymous British street artist for helping diversify tourism in the city.<\/p>\n<p>The images were collated by Palestinian photographers for the surprise exhibition in Manger Square.<\/p>\n<p>Artists in Gaza carved the words \u201cThank you Banksy\u201d in sand on a stretch of beach to coordinate with the exhibition. Four of Banksy\u2019s artworks are in <a target=\"_blank\" href=\"https:\/\/www.theguardian.com\/world\/gaza\" class=\"u-underline\"  data-link-name=\"auto-linked-tag\" data-component=\"auto-linked-tag\">Gaza<\/a>.<\/p>\n<p>\u201cBanksy always surprises us and today I want to surprise him,\u201d said event coordinator Yamen Elabed in a video <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=B2_0HAYzba4&amp;feature=youtu.be&amp;fbclid=IwAR3ouSUaXX3KcqI5Rd6QGuVIXQBkyKknFvg1Du7z21dQRv0lugLovcWLwjk\" class=\"u-underline\"  data-link-name=\"in body link\">message to Banksy<\/a> on Tuesday.<\/p>\n<p>Elabed said he put together the exhibition \u201cto show Banksy that we are grateful for the support\u201d. \u201cI just want the message of thanks to reach <a target=\"_blank\" href=\"https:\/\/www.theguardian.com\/artanddesign\/banksy\" class=\"u-underline\"  data-link-name=\"auto-linked-tag\" data-component=\"auto-linked-tag\">Banksy<\/a> \u2026 he has helped our economy with \u2018alternative\u2019 tourism.\u201d<\/p>\n<p>Last month Banksy <a target=\"_blank\" href=\"https:\/\/www.bbc.co.uk\/news\/entertainment-arts-53564953\" class=\"u-underline\"  data-link-name=\"in body link\">auctioned three paintings<\/a> for \u00a32.2m in London and donated the proceeds to a hospital in Bethlehem.<\/p>\n<figure id=\"img-2\" class=\"element element-image img--landscape fig--narrow-caption fig--has-shares \" data-component=\"image\" data-media-id=\"1575a525c128ac3ca5ab78eceb6fad7059bb2a2a\">\n<div class=\"u-responsive-ratio\"><picture><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/1575a525c128ac3ca5ab78eceb6fad7059bb2a2a\/212_0_1537_922\/master\/1537.jpg?width=620&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=8b4b5b979072ff2e03351867ef0f3e49 1240w\" media=\"(min-width: 660px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 660px) and (min-resolution: 120dpi)\" sizes=\"620px\" \/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/1575a525c128ac3ca5ab78eceb6fad7059bb2a2a\/212_0_1537_922\/master\/1537.jpg?width=620&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8caf51eda67c07ff24579e7c7d4c6dca 620w\" media=\"(min-width: 660px)\" sizes=\"620px\" \/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/1575a525c128ac3ca5ab78eceb6fad7059bb2a2a\/212_0_1537_922\/master\/1537.jpg?width=605&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=ea62111d7d1508d8cfeaa73ac39db3c9 1210w\" media=\"(min-width: 480px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 480px) and (min-resolution: 120dpi)\" sizes=\"605px\" \/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/1575a525c128ac3ca5ab78eceb6fad7059bb2a2a\/212_0_1537_922\/master\/1537.jpg?width=605&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=33f31e31b928fde0b2662373248da666 605w\" media=\"(min-width: 480px)\" sizes=\"605px\" \/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/1575a525c128ac3ca5ab78eceb6fad7059bb2a2a\/212_0_1537_922\/master\/1537.jpg?width=445&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=f65c859dc6c6a1aed8ee8d14459c67b6 890w\" media=\"(min-width: 0px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 0px) and (min-resolution: 120dpi)\" sizes=\"445px\" \/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/1575a525c128ac3ca5ab78eceb6fad7059bb2a2a\/212_0_1537_922\/master\/1537.jpg?width=445&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=98b80b5b89a846adac74c76e1d09bf58 445w\" media=\"(min-width: 0px)\" sizes=\"445px\" \/><img decoding=\"async\" class=\"gu-image aligncenter\" src=\"https:\/\/i.guim.co.uk\/img\/media\/1575a525c128ac3ca5ab78eceb6fad7059bb2a2a\/212_0_1537_922\/master\/1537.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=155ac9361112bf654293b545600685cf\" alt=\"Artists in Gaza carved the words \u2018Thank you Banksy\u2019 in sand.\" \/> <\/picture><\/div>\n<\/figure>\n<figure id=\"img-2\" class=\"element element-image img--landscape fig--narrow-caption fig--has-shares \" data-component=\"image\" data-media-id=\"1575a525c128ac3ca5ab78eceb6fad7059bb2a2a\"><figcaption class=\"caption caption--img caption caption--img\">Artists in Gaza carved the words \u2018Thank you Banksy\u2019 in sand.<br \/>\nPhotograph: Murad Abusrour<\/figcaption><\/figure>\n<p>Ayoub Ali, a taxi driver who attended the exhibition, said the appearance of Banksy\u2019s work had helped to diversify tourism in Bethlehem, a major pilgrimage destination.<\/p>\n<aside class=\"element element-rich-link element-rich-link--tag element--thumbnail element-rich-link--upgraded\" data-component=\"rich-link-tag\" data-link-name=\"rich-link-tag\">\n<div class=\"rich-link tone-news--item rich-link--pillar-arts\">\n<div class=\"rich-link__container\"><\/div>\n<\/div>\n<\/aside>\n<p>\u201cThey [tourists] only know Bethlehem is where Jesus was born, the Church of the Nativity \u2013 which I am proud of \u2013 but Banksy\u2019s idea is also to see where there are 3 million Palestinians living, in the West Bank.\u201d<\/p>\n<p>About 300 people visited the open-air exhibition. Almost all were local people, as the pandemic has meant far fewer tourists.<\/p>\n<p>Each visitor was given a free face mask decorated with a Banksy print on arrival.<\/p>\n<p>Visits to Bethlehem have ground to a halt during the pandemic, a devastating blow to the tourist-based economy, said Elabed. \u201cThis city relies on tourism. So many people are now out of a job, with the closing of hotels, souvenir shops, many restaurants, tour companies and a lack of work for tour guides like myself. We all are just waiting for tourism to return.\u201d<\/p>\n<figure class=\"element element-video fig--has-shares fig--narrow-caption\" data-canonical-url=\"https:\/\/www.youtube.com\/watch?v=B2_0HAYzba4\" data-component=\"video-inbody-embed\">\n<div class=\"u-responsive-aligner\">\n<div class=\"embed-video-wrapper u-responsive-ratio\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/B2_0HAYzba4?wmode=opaque&amp;feature=oembed\" width=\"460\" height=\"259\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/figure>\n<figure class=\"element element-video fig--has-shares fig--narrow-caption\" data-canonical-url=\"https:\/\/www.youtube.com\/watch?v=B2_0HAYzba4\" data-component=\"video-inbody-embed\"><figcaption class=\"caption caption--img\"><strong>Video message to Banksy, produced by Murad Abu Srour and Abedalrahman Hassan<\/strong><\/figcaption><\/figure>\n<p>Since his <a target=\"_blank\" href=\"https:\/\/inspiringcity.com\/2019\/01\/19\/the-graffiti-of-the-west-bank-barrier-in-bethlehem\/\" class=\"u-underline\"  data-link-name=\"in body link\">first artwork appeared<\/a> in Palestine 15 years ago, Banksy has become a key part of the city\u2019s tourist attractions \u2013 his <a target=\"_blank\" href=\"https:\/\/www.theguardian.com\/world\/2017\/mar\/03\/banksy-opens-bethlehem-barrier-wall-hotel\" class=\"u-underline\"  data-link-name=\"in body link\">Walled Off<\/a> hotel famously claiming to offer the \u201cworst view of any hotel in the world\u201d to a stream of international guests since its opening in 2017.<\/p>\n<p>Critics have accused Banksy of <a target=\"_blank\" href=\"https:\/\/www.middleeasteye.net\/news\/banksys-west-bank-hotel-causes-anger-among-some-palestinians\" class=\"u-underline\"  data-link-name=\"in body link\">trivialising<\/a> the Israeli-Palestinian conflict and providing an <a target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/travel\/middle-east\/walled-off-hotel-banksy-guesthouse-palestinians-bethlehem-israel-separation-barrier-graffiti-artist-a7617391.html\" class=\"u-underline\"  data-link-name=\"in body link\">unwelcome distraction<\/a> from the work of local artists. Both Palestinians and <a target=\"_blank\" href=\"https:\/\/www.haaretz.com\/world-news\/.premium-banksy-s-latest-pro-palestine-stunt-sparks-spat-with-top-israeli-art-collector-1.6637712\" class=\"u-underline\"  data-link-name=\"in body link\">Israelis have criticised<\/a> aspects of his art.<\/p>\n<aside class=\"element element-rich-link element--thumbnail element-rich-link--upgraded\" data-component=\"rich-link\" data-link-name=\"rich-link-1 | 1\">\n<div class=\"rich-link tone-news--item rich-link--pillar-news\">\n<div class=\"rich-link__container\">\n<div class=\"rich-link__image-container u-responsive-ratio\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i.guim.co.uk\/img\/media\/29a1e6d925a8addb57a54acc30302cb00d6391c7\/0_118_1024_614\/master\/1024.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f207ed7ed0a25997e79010e4e15e4127\" \/><\/div>\n<div class=\"rich-link__header\">\n<blockquote>\n<p class=\"rich-link__title\" style=\"text-align: left;\"><em><a target=\"_blank\" href=\"https:\/\/www.theguardian.com\/world\/2017\/mar\/03\/banksy-opens-bethlehem-barrier-wall-hotel\" class=\"rich-link__link\" ><strong> Read More: &#8216;Worst view in the world&#8217;: Banksy opens hotel overlooking Bethlehem wall<\/strong> <\/a><\/em><\/p>\n<\/blockquote>\n<\/div>\n<div class=\"rich-link__read-more\" style=\"text-align: left;\"><\/div>\n<\/div>\n<\/div>\n<\/aside>\n<p style=\"text-align: left;\">\u201cI do appreciate deeply Banksy as an artist and love his work,\u201d said Abdelfattah Abusrour, general director of Alrowwad Cultural and Arts Society, an arts organisation based in Aida refugee camp in Bethlehem.<\/p>\n<p>But \u201csome paintings seem naive, <a target=\"_blank\" href=\"https:\/\/www.bbc.com\/news\/world-middle-east-39156386\" class=\"u-underline\"  data-link-name=\"in body link\">like the fight with pillows<\/a>\u201d, he said. \u201cThe fight was never between people as individuals, but against a system \u2026 as long as there is occupation and injustice such \u2018declarations\u2019 are irrelevant and non-respectful to the suffering of the oppressed.\u201d<\/p>\n<p>Abusrour added: \u201cWe didn\u2019t receive a penny from the Walled Off hotel. I don\u2019t like my cause as a Palestinian to be exploited as a business, even though I appreciate the work of Banksy.\u201d<\/p>\n<figure id=\"img-3\" class=\"element element-image img--landscape fig--narrow-caption fig--has-shares \" data-component=\"image\" data-media-id=\"71b81024b9964d351a15baf887060e6dbc812464\">\n<div class=\"u-responsive-ratio\"><picture><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/71b81024b9964d351a15baf887060e6dbc812464\/241_0_2617_1570\/master\/2617.jpg?width=620&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=52c077e0e7c6cb336e5e25d12cafae8b 1240w\" media=\"(min-width: 660px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 660px) and (min-resolution: 120dpi)\" sizes=\"620px\" \/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/71b81024b9964d351a15baf887060e6dbc812464\/241_0_2617_1570\/master\/2617.jpg?width=620&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=cd071eb6a7e3914828d3662e5f96d592 620w\" media=\"(min-width: 660px)\" sizes=\"620px\" \/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/71b81024b9964d351a15baf887060e6dbc812464\/241_0_2617_1570\/master\/2617.jpg?width=605&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=79a5e544de71f8e76e0af59f6ceb5fcb 1210w\" media=\"(min-width: 480px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 480px) and (min-resolution: 120dpi)\" sizes=\"605px\" \/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/71b81024b9964d351a15baf887060e6dbc812464\/241_0_2617_1570\/master\/2617.jpg?width=605&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=af432ce5c2a99a8975df42cc0be5df20 605w\" media=\"(min-width: 480px)\" sizes=\"605px\" \/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/71b81024b9964d351a15baf887060e6dbc812464\/241_0_2617_1570\/master\/2617.jpg?width=445&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=120ec92c86a76b5ded7bf18054560834 890w\" media=\"(min-width: 0px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 0px) and (min-resolution: 120dpi)\" sizes=\"445px\" \/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/71b81024b9964d351a15baf887060e6dbc812464\/241_0_2617_1570\/master\/2617.jpg?width=445&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=fb1f77c8bcd6aaf1e60a71df2b13d2d4 445w\" media=\"(min-width: 0px)\" sizes=\"445px\" \/><img decoding=\"async\" class=\"gu-image aligncenter\" src=\"https:\/\/i.guim.co.uk\/img\/media\/71b81024b9964d351a15baf887060e6dbc812464\/241_0_2617_1570\/master\/2617.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=d16184f44a3fa78952ea7564d07cfe02\" alt=\"Still from \u2018Message to Banksy\u2019 video\" \/> <\/picture><\/div>\n<\/figure>\n<figure id=\"img-3\" class=\"element element-image img--landscape fig--narrow-caption fig--has-shares \" data-component=\"image\" data-media-id=\"71b81024b9964d351a15baf887060e6dbc812464\"><figcaption class=\"caption caption--img caption caption--img\"><strong>Yamen Elabed, tour guide and owner the Wall Graffiti Gift Shop, hopes the message of thanks will reach Banksy. Photograph: Tours with Yamen<\/strong><\/figcaption><\/figure>\n<p>But visitors to the Bethlehem exhibition were enthusiastic about the artist\u2019s involvement. \u201cThank you Banksy for supporting Palestinian people. Your art is much appreciated. And thank you Yamen for gathering us her here in this beautiful event,\u201d said Amera Qumseya.<\/p>\n<p>Elabed said the danger he believes Banksy put himself in when he first spray-painted the Israeli West Bank barrier warrants respect from Palestinians. \u201cIt was a risk because during the first uprising and second uprising drawing graffiti on the wall was forbidden. Many people got hurt or arrested for doing graffiti. So Banksy did a lot for Palestinians,\u201d he said.<\/p>\n<p>\u201cWe want to see him again in Palestine.\u201d<\/p>\n<p>________________________________________________<\/p>\n<p style=\"padding-left: 40px;\"><em>Banksy is an anonymous England-based street artist, vandal, political activist, and film director, active since the 1990s. His satirical street art and subversive epigrams combine dark humor with graffiti executed in a distinctive stenciling technique.<\/em> <a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/Banksy\" >Wikipedia<\/a><\/p>\n<p style=\"padding-left: 40px;\"><em>Jessie McDonald is acting deputy production editor on<\/em> Guardian Foundations.<\/p>\n<p><a target=\"_blank\" href=\"https:\/\/www.theguardian.com\/global-development\/2020\/aug\/21\/palestinians-stage-surprise-thank-you-event-for-banksy-in-bethlehem?utm_term=f04a9c25011f5bd0d2d3fde427ab3c28&amp;utm_campaign=GlobalDispatch&amp;utm_source=esp&amp;utm_medium=Email&amp;CMP=globaldispatch_email\" >Go to Original &#8211; theguardian.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>21 Aug 2020 &#8211; Photographs of works go on display in Manger Square to celebrate British street artist\u2019s contribution to diversifying tourism.<\/p>\n","protected":false},"author":4,"featured_media":88235,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[],"class_list":["post-167611","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-palestine-israel-gaza-genocide"],"_links":{"self":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/167611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/comments?post=167611"}],"version-history":[{"count":0,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/167611\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/media\/88235"}],"wp:attachment":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/media?parent=167611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/categories?post=167611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/tags?post=167611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}