{"id":195686,"date":"2021-10-04T12:00:06","date_gmt":"2021-10-04T11:00:06","guid":{"rendered":"https:\/\/www.transcend.org\/tms\/?p=195686"},"modified":"2025-11-17T12:01:20","modified_gmt":"2025-11-17T12:01:20","slug":"harold-pinter-10-oct-1930-24-dec-2008-5","status":"publish","type":"post","link":"https:\/\/www.transcend.org\/tms\/2021\/10\/harold-pinter-10-oct-1930-24-dec-2008-5\/","title":{"rendered":"Harold Pinter (10 Oct 1930 \u2013 24 Dec 2008)"},"content":{"rendered":"

Born in London, Harold Pinter is a renowned playwright and screenwriter. His plays are particularly famous for their use of understatement to convey characters\u2019 thoughts and feelings. In 2005, Pinter was awarded the Nobel Prize for Literature.<\/em><\/p><\/blockquote>\n

Read: Harold Pinter\u2019s Nobel Acceptance Speech<\/a><\/p>\n

\"\"<\/a><\/p>\n

Early Life<\/h2>\n

Writer and political activist Harold Pinter is most famous for his plays. Inspired in part by Samuel Beckett<\/a>, he created his own distinctive style, marked by terse dialogue and meaningful pauses. He was the son of a Jewish tailor and grew up in a lower middle-class neighborhood in London. In his grammar school years, Pinter was athletic and especially fond of playing cricket.<\/p>\n

During World War II, Pinter saw some of the bombing of his city by the Germans. He was sent away to escape the Blitz at one point. This firsthand experience of war and destruction left a lasting impression on Pinter. At the age of 18, he refused to enlist in the military as part of his national service. A conscientious objector, he ended up paying a fine for not completing his national service.<\/p>\n

Pinter started out as an actor. After studying at the Royal Academy of Dramatic Art for a time, he worked in regional theater in the 1950s and sometimes used the stage name David Baron. Pinter wrote a short play, The Room<\/em>, in 1957, and went on to create his first full-length drama, The Birthday Party<\/em>. The Birthday Party<\/em> premiered in London in 1958 to savage reviews, and closed within a week. One critic, Harold Hobson of The Sunday Times of London<\/em>, offered a dissenting opinion, writing that Pinter was \u201cthe most original, disturbing and arresting talent in theatrical London,\u201d according to the Los Angeles Times<\/em>.<\/p>\n

Major Works<\/h2>\n

With 1960\u2019s The Caretaker<\/em>, Pinter had his first taste of success. The play is about two brothers who bring home a homeless man to live with them\u2014a man who then exerts a strange hold over the brothers. The play, like many of Pinter\u2019s works, conveys \u201ca world of perplexing menace,\u201d and in it Pinter uses \u201ca vocabulary all his own,\u201d as a critic for The New York Times<\/em> once explained.<\/p>\n

The Homecoming<\/em> (1965), considered by some to be his masterwork, explored familial tensions. In the play, a man brings his wife to meet his father and brothers after a long estrangement. The wife ends up leaving him to stay with his family. The drama moved to Broadway in 1967 and won a Tony Award\u2014Pinter\u2019s only Broadway honor. The Homecoming<\/em> was later turned into a film featuring many of its original cast, including Ian Holm, Terence Rigby and Vivien Merchant. Pinter had met Merchant when he was working as an actor, and the couple had married in 1956.<\/p>\n

Around this time, Pinter also branched out into film, writing the screenplays for his own works as well as the works of others. He wrote The Servant<\/em> (1963) and Accident<\/em> (1967), both directed by Joseph Losey and starring Dirk Bogarde. Losey and Pinter worked together on one more film\u20141970\u2019s The Go-Between<\/em>, starring Julie Christie<\/a> and Alan Bates. Perhaps one of Pinter\u2019s best-known screen adaptations was 1981\u2019s The French Lieutenant\u2019s Woman,<\/em> starring Jeremy Irons<\/a> and Meryl Streep<\/a>.<\/p>\n

In 1978, Pinter brought to the stage another of his best-regarded works, the drama Betrayal<\/em>. This tale of infidelity and marital meltdown seemed to reflect the writer\u2019s life in some ways, in particular his affair with TV personality Joan Blakewell. He was later involved with Lady Antonia\u00a0Fraser\u00a0who\u00a0was married to a member of Parliament and a mother of six. The pair were eventually able to shed their respective spouses and married in 1980. Pinter and\u00a0Fraser, a talented writer in her own right, became a\u00a0very popular couple in literary circles.<\/p>\n

Pinter\u2019s politics became more explicit in his late works. The short play Mountain Language<\/em> (1988), for instance, was written to highlight the mistreatment of the Kurdish people in Turkey. He and fellow playwright Arthur Miller<\/a> had visited Turkey together a few years earlier.<\/p>\n

\"\"<\/a>

Harold Pinter<\/p><\/div>\n

Death and Legacy<\/h2>\n

After being diagnosed with cancer in 2001, Pinter continued his writing and activism. He decried Britain\u2019s involvement in the Iraq War, and he called both U.S. President George W. Bush<\/a> and British Prime Minister Tony Blair<\/a> \u201cterrorists,\u201d according to the Financial Times<\/em>. Pinter expressed some of his outrage in his poetry, particularly his 2003 collection, WAR<\/em>. In a poem entitled \u201cGod Bless America,\u201d he wrote:<\/p>\n

\u201cHere they go again\/ The Yanks in their armoured parade\/ Chanting their ballads of joy\/ As they gallop across the big world\/ Praising America\u2019s God\/ The gutters are clogged with the dead.\u201d<\/em><\/p><\/blockquote>\n

These political reflections helped Pinter earn the Wilfred Owen Award for poetry.<\/p>\n

In 2005, Pinter was honored with the Nobel Prize for Literature. The selection committee cited Pinter a writer \u201cwho, in his plays, uncovers the precipice under everyday prattle and forces entry into oppression\u2019s closed rooms.\u201d Some saw the choice of Pinter, an antiwar campaigner, as a political statement. He wasn\u2019t well enough to accept the prize in person, and he gave his Nobel lecture in a pre-recorded video played at the event.<\/p>\n

Pinter succumbed to cancer on December 24, 2008. He was survived by his second wife, writer Antonia Fraser, his son from his first marriage, Daniel, and his six stepchildren.<\/p>\n

Pinter\u2019s work has inspired and informed generations of playwrights, especially Tom Stoppard<\/a> and David Mamet<\/a>. Pinter\u2019s plays are still performed around the world, with new audiences experiencing the distinct, strange and foreboding atmosphere so often created by the late writer. Of Pinter, fellow playwright David Hare once said, \u201cThe essence of Pinter\u2019s singular appeal is that you sit down to every play he writes in certain expectation of the unexpected,\u201d according to the Los Angeles Times<\/em>.<\/p>\n

Go to Original \u2013 biography.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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