{"id":200001,"date":"2021-11-22T12:00:00","date_gmt":"2021-11-22T12:00:00","guid":{"rendered":"https:\/\/www.transcend.org\/tms\/?p=200001"},"modified":"2021-11-22T06:25:28","modified_gmt":"2021-11-22T06:25:28","slug":"i-just-cant-believe-it-exists-peter-jackson-takes-us-into-the-beatles-vault-locked-up-for-52-years","status":"publish","type":"post","link":"https:\/\/www.transcend.org\/tms\/2021\/11\/i-just-cant-believe-it-exists-peter-jackson-takes-us-into-the-beatles-vault-locked-up-for-52-years\/","title":{"rendered":"\u2018I Just Can\u2019t Believe It Exists\u2019: Peter Jackson Takes Us into the Beatles Vault Locked Up for 52 Years"},"content":{"rendered":"<blockquote><p>20 Nov 2021 &#8211; <em>Ahead of his epic series Get Back, the director reveals the secrets of 60 hours of intimate, unseen footage of the Fab Four \u2013 and why it turns everything we know about their final days upside down.<\/em><\/p><\/blockquote>\n<div id=\"attachment_200002\" style=\"width: 560px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles.webp\" ><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-200002\" class=\"wp-image-200002\" src=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles.webp\" alt=\"\" width=\"550\" height=\"330\" srcset=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles.webp 1020w, https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles-300x180.webp 300w, https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles-768x461.webp 768w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><p id=\"caption-attachment-200002\" class=\"wp-caption-text\">\u2018The whole thing boggles my mind\u2019 \u2026 Jackson on The Beatles: Get Back.<br \/>Photograph: Don McCullin\/Press Images\/Eyevine<\/p><\/div>\n<p class=\"dcr-eu20cu\"><span class=\"dcr-1i2w9iu\"><span class=\"dcr-1jnp7wy\">W<\/span><\/span><span class=\"dcr-eu20cu\">hen the world closed down in March 2020, most of us had to make do with pretending to enjoy video calls with friends or baking bread. <a target=\"_blank\" href=\"https:\/\/www.theguardian.com\/film\/peterjackson\"  data-component=\"auto-linked-tag\" data-link-name=\"in body link\">Peter Jackson<\/a>, meanwhile, was busy sifting through a mountain of unseen footage \u2013 60 hours in total \u2013 of the Beatles, shot by the director Michael Lindsay-Hogg in 1969.<\/span><\/p>\n<p class=\"dcr-eu20cu\">His four-year project is now finished \u2013 \u201cwe finally completed it on Friday,\u201d says a relieved-looking Jackson from his home in New Zealand \u2013 and the resulting series, The Beatles: Get Back, will be released on Disney+ from 25 November. Originally envisaged as a feature film, Covid uncertainty saw plans revised. It is now three two-hour episodes, using the mass of outtakes from Lindsay-Hogg\u2019s work on what would become Let It Be, the band\u2019s fourth feature film.<\/p>\n<p class=\"dcr-eu20cu\">It is striking just how much joy is contained within the vivid and eerily detailed footage. Contrary to almost all accounts over the past 52 years, John, Paul, George and Ringo are seemingly happy to be in the studio: laughing, joking, singing in the style of ventriloquists, talking about last night\u2019s TV (Peter Cook and Zsa Zsa Gabor having a spat) and, of course, writing music. Taken at face value, it\u2019s a unique insight into a band at work, restored to a modern, HD sheen. But, more than that, it\u2019s a study of four of the most idolised and scrutinised individuals in the world in their prime. This is not just a music documentary, it\u2019s a history book come to life.<\/p>\n<figure id=\"1c9c3406-6758-476e-a364-0907e83b59d3\" class=\" dcr-10khgmf\">\n<div class=\"dcr-ovv4bh\" data-component=\"youtube-embed\">\n<div class=\"dcr-laouyh\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/UocEGvQ10OE?wmode=opaque&amp;feature=oembed\" width=\"460\" height=\"259\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"dcr-eu20cu\">\u201cI just can\u2019t believe it exists,\u201d says Jackson, in the manner of a man still yet to come to terms with what he was allowed to do. \u201cBut then I can\u2019t believe any of it \u2013 that the Beatles let Michael shoot all that footage, that it sat in a vault all this time \u2026<\/p>\n<p class=\"dcr-eu20cu\">\u201cWhat other band in the 60s or 70s allowed themselves to be shot in such an intimate way? There isn\u2019t another. And then I got to edit it. The whole thing boggles my mind.\u201d<\/p>\n<p class=\"dcr-eu20cu\">Jackson\u2019s involvement goes back to 2017, when he was contacted by Apple Corps \u2013 the company set up by the Beatles in 1968, and which handles all of the band\u2019s affairs \u2013 not for help with a film or TV series, but due to his interest in virtual and augmented reality technology. Perhaps inspired by the successes of <a target=\"_blank\" href=\"https:\/\/www.theguardian.com\/music\/2013\/mar\/17\/david-bowie-is-exhibition-review\" title=\"\"  data-link-name=\"in body link\">the David Bowie<\/a> and <a target=\"_blank\" href=\"https:\/\/www.theguardian.com\/music\/2016\/apr\/04\/exhibitionism-review-little-satisfaction-except-for-rolling-stones-fans\" title=\"\"  data-link-name=\"in body link\">Rolling Stones<\/a> exhibitions, the company was hatching plans for a similar Beatles museum show. Those plans, Jackson believes, have since been abandoned, but the interaction with Apple Corps led him to enquire about using the mythic Let It Be footage, unseen for half a century.<\/p>\n<figure id=\"006f2f6c-d8fa-4d66-a95e-4f345a3759f6\" class=\" dcr-1sioudk\">\n<div class=\"dcr-1b267dg\"><picture><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/4b2dcac82089ca323c64939617c74ff27160e3d2\/0_376_4441_5114\/master\/4441.jpg?width=380&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=08d18bf7ac80c33e85e7da26dd80e632 760w,https:\/\/i.guim.co.uk\/img\/media\/4b2dcac82089ca323c64939617c74ff27160e3d2\/0_376_4441_5114\/master\/4441.jpg?width=300&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=96972f1a13d6eb5817e5ca410be35491 600w,https:\/\/i.guim.co.uk\/img\/media\/4b2dcac82089ca323c64939617c74ff27160e3d2\/0_376_4441_5114\/master\/4441.jpg?width=620&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=e9646275bd4aa33988ae00b2d6c0711d 1240w,https:\/\/i.guim.co.uk\/img\/media\/4b2dcac82089ca323c64939617c74ff27160e3d2\/0_376_4441_5114\/master\/4441.jpg?width=605&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=a2a15f40f25b1d324cc01ed14b8d562d 1210w,https:\/\/i.guim.co.uk\/img\/media\/4b2dcac82089ca323c64939617c74ff27160e3d2\/0_376_4441_5114\/master\/4441.jpg?width=445&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=ff704a7992245d6fa08c006170bf0454 890w\" media=\"(-webkit-min-device-pixel-ratio: 1.25), (min-resolution: 120dpi)\" sizes=\"(min-width: 1300px) 380px, 300px\" \/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/4b2dcac82089ca323c64939617c74ff27160e3d2\/0_376_4441_5114\/master\/4441.jpg?width=380&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b8d3c74a261cdc0d6f530e6da19bde3d 380w,https:\/\/i.guim.co.uk\/img\/media\/4b2dcac82089ca323c64939617c74ff27160e3d2\/0_376_4441_5114\/master\/4441.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=faab7ce6fefb873feae9f980cfd70019 300w,https:\/\/i.guim.co.uk\/img\/media\/4b2dcac82089ca323c64939617c74ff27160e3d2\/0_376_4441_5114\/master\/4441.jpg?width=620&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=aad73bfbb62e58e361037193138ba047 620w,https:\/\/i.guim.co.uk\/img\/media\/4b2dcac82089ca323c64939617c74ff27160e3d2\/0_376_4441_5114\/master\/4441.jpg?width=605&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=941624889f8fcc34f1373436afa5607a 605w,https:\/\/i.guim.co.uk\/img\/media\/4b2dcac82089ca323c64939617c74ff27160e3d2\/0_376_4441_5114\/master\/4441.jpg?width=445&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4fdf4b4d52dcab0ae0a3d9323162aaae 445w\" sizes=\"(min-width: 1300px) 380px, 300px\" \/><\/picture><\/div><figcaption class=\"dcr-1c1f11b\"><\/figcaption><\/figure>\n<p class=\"dcr-eu20cu\">Eventually, Jackson received permission, although he had one condition: he didn\u2019t want to make a miserable film so wanted to see all the footage first. Indeed, previous attempts at using it had ended in failure. Acknowledging its existence in the 00s, Apple Corps mooted plans to have the film restored and rereleased, but quickly shelved them.<\/p>\n<p class=\"dcr-eu20cu\">That is perhaps unsurprising, given the context of the album and the original film. Let It Be was, as the perceived wisdom goes, a miserable experience. John Lennon referred to the sessions as \u201csix weeks of hell\u201d, while George Harrison has called the whole period \u201cthe Beatles\u2019 winter of discontent\u201d. Even the usually glass-half-full McCartney has said that in attempting to offer a fly-on-the-wall view of a Beatles album being made, what they had really done was show the world what the breakup of a band looks like.<\/p>\n<p class=\"dcr-eu20cu\">Lindsay-Hogg\u2019s film was finally released in May 1970, and was panned by critics and unloved by fans. With this in mind, the question of why anyone would want to sit through this footage now is a valid one. But Jackson was stunned by what he saw that first week, watching it from morning till night at Apple Corps\u2019 London office and being brought a daily Big Mac. \u201cI was amazed,\u201d he says. \u201cI was waiting for it to get really bad but it didn\u2019t. It actually gets happier and happier as it goes.\u201d<\/p>\n<p class=\"dcr-eu20cu\">Knowing what he now knows, it\u2019s a mystery to Jackson why each Beatle, along with their producer George Martin, always viewed the Let It Be sessions with such hatred \u2013 but he has a theory. \u201cI\u2019m convinced they were all remembering May 1970 and their reaction to the movie upon release, rather than how they felt filming it,\u201d he says. Indeed, there are conflicting accounts \u2013 Glyn Johns, who worked as a recording engineer on the Let It Be sessions, remembers it being a funny, happy time in his autobiography, Sound Man, while Lindsay-Hogg has said similar. \u201cBut maybe they can say that,\u201d says Jackson. \u201cThey weren\u2019t in a band that was breaking up.\u201d<\/p>\n<p class=\"dcr-eu20cu\">After finishing <a target=\"_blank\" href=\"https:\/\/www.theguardian.com\/film\/2018\/oct\/16\/they-shall-not-grow-old-review-first-world-war-peter-jackson\" title=\"\"  data-link-name=\"in body link\">They Shall Not Grow Old<\/a>, his acclaimed first world war documentary released in 2018, Jackson got to work on Get Back. First, there was a forensic exploration of the period. He met McCartney, Starr, Sean Lennon and Harrison\u2019s son, Dhani. He has been in regular contact with Lindsay-Hogg, went to the <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=NCtzkaL2t_Y\" title=\"\"  data-link-name=\"in body link\">Savile Row rooftop<\/a> where the Beatles performed their last ever gig, and even met the police officers who went up on to the roof to tell the most famous musicians in the world to stop playing.<\/p>\n<div id=\"attachment_200005\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles2.webp\" ><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-200005\" class=\"wp-image-200005\" src=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles2.webp\" alt=\"\" width=\"600\" height=\"396\" srcset=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles2.webp 860w, https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles2-300x198.webp 300w, https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles2-768x507.webp 768w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><p id=\"caption-attachment-200005\" class=\"wp-caption-text\">Their last ever show &#8230; shut down by the police.\u00a0 Photograph: Apple Corps Ltd<\/p><\/div>\n<figure id=\"d76030d9-9a78-4294-8dfc-b0e16d4d4bb5\" class=\" dcr-eiqqge\">\n<div class=\"dcr-1b267dg\"><picture><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/692b1a50a06f1121534b9a5d6f0d57c24212b381\/0_0_4842_3196\/master\/4842.jpg?width=860&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=2f1eadfb3d08133f80af30c336a20ee7 1720w,https:\/\/i.guim.co.uk\/img\/media\/692b1a50a06f1121534b9a5d6f0d57c24212b381\/0_0_4842_3196\/master\/4842.jpg?width=780&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=045c906bd7045dbff80ab4e77994abd7 1560w,https:\/\/i.guim.co.uk\/img\/media\/692b1a50a06f1121534b9a5d6f0d57c24212b381\/0_0_4842_3196\/master\/4842.jpg?width=620&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=3892aaed6d78a123ee33cecae3024ff9 1240w,https:\/\/i.guim.co.uk\/img\/media\/692b1a50a06f1121534b9a5d6f0d57c24212b381\/0_0_4842_3196\/master\/4842.jpg?width=605&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=2a149fcb1db5fcb4faa7f95da59481c6 1210w,https:\/\/i.guim.co.uk\/img\/media\/692b1a50a06f1121534b9a5d6f0d57c24212b381\/0_0_4842_3196\/master\/4842.jpg?width=445&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=f3e529a37ea5b273540ff8023b237ec4 890w\" media=\"(-webkit-min-device-pixel-ratio: 1.25), (min-resolution: 120dpi)\" sizes=\"(min-width: 1300px) 860px, (min-width: 1140px) 780px, (min-width: 660px) 620px, 100vw\" \/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/692b1a50a06f1121534b9a5d6f0d57c24212b381\/0_0_4842_3196\/master\/4842.jpg?width=860&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7686c4da5b9cd597aec42c92656c5211 860w,https:\/\/i.guim.co.uk\/img\/media\/692b1a50a06f1121534b9a5d6f0d57c24212b381\/0_0_4842_3196\/master\/4842.jpg?width=780&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e5ef3a5b4969a298804887eb9d264be6 780w,https:\/\/i.guim.co.uk\/img\/media\/692b1a50a06f1121534b9a5d6f0d57c24212b381\/0_0_4842_3196\/master\/4842.jpg?width=620&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ccdb3b682789d5a0dbb8754ab62ef364 620w,https:\/\/i.guim.co.uk\/img\/media\/692b1a50a06f1121534b9a5d6f0d57c24212b381\/0_0_4842_3196\/master\/4842.jpg?width=605&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=024a46afb27b9e1c610d059b9ea3e8f7 605w,https:\/\/i.guim.co.uk\/img\/media\/692b1a50a06f1121534b9a5d6f0d57c24212b381\/0_0_4842_3196\/master\/4842.jpg?width=445&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c3cf00d77ed0e54d1a2af06fee29c2b3 445w\" sizes=\"(min-width: 1300px) 860px, (min-width: 1140px) 780px, (min-width: 660px) 620px, 100vw\" \/><\/picture><\/div><figcaption class=\"dcr-1c1f11b\"><\/figcaption><\/figure>\n<p class=\"dcr-eu20cu\">Then came the restoration work, a frame-by-frame process to sharpen the footage for modern TVs, which took 14 people almost four years. Editing \u2013 Jackson\u2019s favourite part of film-making \u2013 was difficult, he says, simply because of the wealth of material. At one point, he says he was happy with an 18-hour Get Back cut, but managed to whittle it down to a third of that.<\/p>\n<p class=\"dcr-eu20cu\">The resultant six hours contain more than enough revelations, and no little sadness. That is not necessarily because of the breakup round the corner, but because it depicts four men, still in their 20s, who \u2013 having changed the world \u2013 just want to go back to being four lads from Liverpool. Tellingly, even at this point, they\u2019re extremely nostalgic, regularly discussing their time in Hamburg in the early 60s, or playing at the Cavern in Liverpool. They reference a running joke from A Hard Day\u2019s Night and cover early rock\u2019n\u2019roll classics such as Blue Suede Shoes and Shake, Rattle and Roll \u2013 anything to help them get back to where they once belonged.<\/p>\n<p class=\"dcr-eu20cu\">Perhaps none felt more frustrated than Harrison, who briefly left the band early on in the sessions only to return on the proviso that plans for a concert in Libya were scrapped. In Lindsay-Hogg\u2019s original, the Beatles insisted that footage of Harrison\u2019s departure stay off-limits. In Get Back, we see the whole incident. \u201cAnyone thinking this is going to be a whitewash, think again,\u201d says Jackson. \u201cI didn\u2019t want to hold back or sanitise anything, but there was a very positive reaction from everyone, even if some of them said parts of it were stressful to watch.\u201d<\/p>\n<p class=\"dcr-eu20cu\">There are indeed tough moments. One tense episode is the barbed exchange between McCartney and Harrison, which was given huge prominence in Lindsay-Hogg\u2019s film (\u201cWhatever it is that would please you, I\u2019ll do it,\u201d says a weary Harrison). It features in Get Back, too, although Jackson believes editing made it more frosty in the original than it actually was. \u201cThe whole conversation was about 90 minutes, and we have eight or nine minutes of it, with that exchange in the middle,\u201d he says. \u201cIt\u2019s nowhere near as bad.\u201d<\/p>\n<div id=\"attachment_200006\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles3.webp\" ><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-200006\" class=\"wp-image-200006\" src=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles3.webp\" alt=\"\" width=\"600\" height=\"360\" srcset=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles3.webp 860w, https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles3-300x180.webp 300w, https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2021\/11\/beatles3-768x461.webp 768w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><p id=\"caption-attachment-200006\" class=\"wp-caption-text\">\u2018I didn\u2019t want to hold back or sanitise anything\u2019 &#8230; Jackson on Get Back.<br \/>Photograph: Apple Corps Ltd<\/p><\/div>\n<figure id=\"0345eb61-8aca-41f2-a71f-b1ad318ff038\" class=\" dcr-eiqqge\">\n<div class=\"dcr-1b267dg\"><picture><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/14256947192247297ceccecd880dbaf1c5f5246d\/0_0_5000_3000\/master\/5000.jpg?width=860&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=0faec36483803a3e85b31a5365dc8e2e 1720w,https:\/\/i.guim.co.uk\/img\/media\/14256947192247297ceccecd880dbaf1c5f5246d\/0_0_5000_3000\/master\/5000.jpg?width=780&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=1abee66770ec5f958546c98a18a0e835 1560w,https:\/\/i.guim.co.uk\/img\/media\/14256947192247297ceccecd880dbaf1c5f5246d\/0_0_5000_3000\/master\/5000.jpg?width=620&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=9a3e9f11a510363714641d73b58112db 1240w,https:\/\/i.guim.co.uk\/img\/media\/14256947192247297ceccecd880dbaf1c5f5246d\/0_0_5000_3000\/master\/5000.jpg?width=605&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=d5f101adaa128b92aa4ebc54046ed7b6 1210w,https:\/\/i.guim.co.uk\/img\/media\/14256947192247297ceccecd880dbaf1c5f5246d\/0_0_5000_3000\/master\/5000.jpg?width=445&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=c96b69324a0d7895541a8a1563afccf3 890w\" media=\"(-webkit-min-device-pixel-ratio: 1.25), (min-resolution: 120dpi)\" sizes=\"(min-width: 1300px) 860px, (min-width: 1140px) 780px, (min-width: 660px) 620px, 100vw\" \/><source srcset=\"https:\/\/i.guim.co.uk\/img\/media\/14256947192247297ceccecd880dbaf1c5f5246d\/0_0_5000_3000\/master\/5000.jpg?width=860&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8e6526b6b53b64c18cab9e4db37b56b4 860w,https:\/\/i.guim.co.uk\/img\/media\/14256947192247297ceccecd880dbaf1c5f5246d\/0_0_5000_3000\/master\/5000.jpg?width=780&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=108b47adbd5284cde701feadb87761da 780w,https:\/\/i.guim.co.uk\/img\/media\/14256947192247297ceccecd880dbaf1c5f5246d\/0_0_5000_3000\/master\/5000.jpg?width=620&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=d5d742bf5f5267f34f4bfc1d367bf600 620w,https:\/\/i.guim.co.uk\/img\/media\/14256947192247297ceccecd880dbaf1c5f5246d\/0_0_5000_3000\/master\/5000.jpg?width=605&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3d916d9cb49a96dd75c96f68ae27fe36 605w,https:\/\/i.guim.co.uk\/img\/media\/14256947192247297ceccecd880dbaf1c5f5246d\/0_0_5000_3000\/master\/5000.jpg?width=445&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6293e21222108deee0b8992489febcf8 445w\" sizes=\"(min-width: 1300px) 860px, (min-width: 1140px) 780px, (min-width: 660px) 620px, 100vw\" \/><\/picture><\/div><figcaption class=\"dcr-1c1f11b\"><\/figcaption><\/figure>\n<p class=\"dcr-eu20cu\">While Jackson was uninterested in helping the Beatles settle scores, he was pleased to put to bed the story that Harrison left the group due to a physical fight with Lennon. Thankfully, there\u2019s filmed evidence of the pair reading the fanciful newspaper story responsible for sparking the myth and threatening to sue the journalist.<\/p>\n<p>Another moment that gave him particular delight involves McCartney discussing Lennon and the presence of his soon-to-be wife Yoko Ono in the studio (at one point we watch Lennon and Ono celebrate, mid-song, as they get the news that Ono\u2019s divorce has been finalised). McCartney, as if gazing into a crystal ball, says: \u201cIt\u2019s going to be such an incredible sort of comical thing, like, in 50 years\u2019 time, you know: \u2018They broke up because Yoko sat on an amp.\u2019\u201d<\/p>\n<p class=\"dcr-eu20cu\">\u201cI was stunned when I first heard that,\u201d says Jackson. \u201cOf course, they didn\u2019t break up because of Yoko, but Paul can do an interview today and say it wasn\u2019t and people will take it with a grain of salt. You can\u2019t do better than [having] a contemporary source.\u201d<\/p>\n<p class=\"dcr-eu20cu\">Get Back will likely be the end of Jackson\u2019s time working with the Beatles \u2013 mainly because there isn\u2019t another vault full of material. But he says the hours spent on the film have only increased his respect for John, Paul, George and Ringo.<\/p>\n<p class=\"dcr-eu20cu\">\u201cNow, they are our grandparents or great-grandparents,\u201d he says. \u201cBut here, John and Ringo are 28, Paul is 26 and George is 25, and you never once feel this footage is 52 years old. I\u2019ve always thought their music transcends generations, but this will make them seem young again.\u201d<\/p>\n<p>________________________________________________<\/p>\n<p style=\"padding-left: 40px;\"><em>Andy Welch is an assistant production editor at the<\/em> Guardian.<\/p>\n<p><a target=\"_blank\" href=\"https:\/\/www.theguardian.com\/tv-and-radio\/2021\/nov\/20\/i-just-cant-believe-it-exists-peter-jackson-takes-us-into-the-beatles-vault-locked-up-for-52-years\" >Go to Original &#8211; theguardian.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>20 Nov 2021 &#8211; Ahead of his epic series Get Back, the director reveals the secrets of 60 hours of intimate, unseen footage of the Fab Four \u2013 and why it turns everything we know about their final days upside down.<\/p>\n","protected":false},"author":4,"featured_media":200002,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[141],"tags":[915,260,129,2737],"class_list":["post-200001","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-art","tag-history","tag-music","tag-the-beatles"],"_links":{"self":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/200001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/comments?post=200001"}],"version-history":[{"count":0,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/200001\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/media\/200002"}],"wp:attachment":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/media?parent=200001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/categories?post=200001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/tags?post=200001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}