{"id":276720,"date":"2024-10-14T12:00:35","date_gmt":"2024-10-14T11:00:35","guid":{"rendered":"https:\/\/www.transcend.org\/tms\/?p=276720"},"modified":"2024-12-15T07:17:26","modified_gmt":"2024-12-15T07:17:26","slug":"what-happened-to-protest-music-around-the-world","status":"publish","type":"post","link":"https:\/\/www.transcend.org\/tms\/2024\/10\/what-happened-to-protest-music-around-the-world\/","title":{"rendered":"What Happened to Protest Music around the World?"},"content":{"rendered":"<div id=\"attachment_276721\" style=\"width: 510px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2024\/10\/music-activism-protest-song-art.jpg\" ><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-276721\" class=\"wp-image-276721\" src=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2024\/10\/music-activism-protest-song-art-1024x598.jpg\" alt=\"\" width=\"500\" height=\"292\" srcset=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2024\/10\/music-activism-protest-song-art-1024x598.jpg 1024w, https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2024\/10\/music-activism-protest-song-art-300x175.jpg 300w, https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2024\/10\/music-activism-protest-song-art-768x449.jpg 768w, https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2024\/10\/music-activism-protest-song-art-1536x898.jpg 1536w, https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2024\/10\/music-activism-protest-song-art.jpg 1600w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><p id=\"caption-attachment-276721\" class=\"wp-caption-text\">Artists Mohammed Assaf, Kehlani and Macklemore don keffiyehs in solidarity with Palestinian liberation. Design by River Kerstetter. GETTY IMAGE<\/p><\/div>\n<blockquote><p><em>The success of Macklemore\u2019s \u201cHind\u2019s Hall\u201d offers hope for a resurgence of protest music.<\/em><\/p><\/blockquote>\n<p><em>7 Oct 2024 <\/em>&#8211; Before February\u2019s Grammy Awards, hundreds of <a href=\"https:\/\/variety.com\/2024\/music\/news\/palestine-protest-grammys-red-carpet-1235897370\/\"  target=\"_blank\" rel=\"noreferrer noopener\">protesters<\/a> rallied off the red carpet in downtown Los Angeles to demand an end to Israel\u2019s ongoing genocide in Gaza. During the ceremony, singer and activist Annie Lennox performed a\u00a0tribute to the late singer and activist Sin\u00e9ad O\u2019Connor, then proclaimed: \u200b<span class=\"pull-double\">\u201c<\/span>Artists for ceasefire. Peace in the world!\u201d Lennox\u2019s was among the only political commentary from an artist at the\u00a0show.<\/p>\n<div class=\"max-w-article mx-auto px-4 dropcap\">\n<p>Mainstream musicians\u2009\u2014\u2009a group once instrumental in amplifying sociopolitical causes and movements\u2009\u2014\u2009have largely stayed silent lately. The business of entertainment pop, as it stands, discourages artists from engaging in protest, pushing them to explore safer, perhaps more commercially viable <a href=\"https:\/\/www.billboard.com\/pro\/common-lyrical-themes-moods-billboard-charts-2023\/\"  target=\"_blank\" rel=\"noreferrer noopener\">themes<\/a>. Their absence has not only diminished the cultural resonance of contemporary social issues\u2009\u2014\u2009making it harder to galvanize widespread support and awareness\u2009\u2014\u2009but adds significant risk for artists who do take political\u00a0stands.<\/p>\n<\/div>\n<div class=\"max-w-article mx-auto px-4 smaller\">\n<p>In a\u00a0recent <a href=\"https:\/\/www.youtube.com\/watch?v=F94vz22rl8M\"  target=\"_blank\" rel=\"noreferrer noopener\">interview<\/a>, singer Kehlani lamented how her career has taken a\u00a0hit since her loud support of Palestinian liberation efforts in <span class=\"numbers\">2023<\/span>. \u200b<span class=\"pull-double\">\u201c<\/span>I have experienced a\u00a0lot of pushback; I\u2019ve experienced a\u00a0lot of loss,\u201d she said. \u200b<span class=\"pull-double\">\u201c<\/span>Magazines and brand deals and opportunities that were sad to lose, but at the end of the day, I\u00a0don\u2019t regret doing something. \u2026 I\u00a0can look myself in the\u00a0mirror.\u201d<\/p>\n<\/div>\n<div class=\"pb-8 px-4 font-serif text-lg md:text-1xl leading-normal md:leading-normal w-full    z-30 relative\">\n<div class=\" max-w-article mx-auto   flex-col lg:flex-row \">\n<div class=\"md:px-6\">\n<div class=\"embed none\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/MpI7ekFG8A0?si=qeqD7f4bERjiOF8H\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<div class=\"font-sans text-sm text-grey py-3\">\n<p>In Kehleni&#8217;s &#8220;Next 2 U&#8221; music video, the singer performs in front of a Palestinian flag while wearing keffiyeh-patterned clothes. Her career has taken a hit since her loud support of Palestinian liberation efforts in 2023.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"max-w-article mx-auto px-4 smaller\">\n<p>In lieu of overt, mainstream protest music, some songs have gained popularity among movement activists. Following the release of Kendrick Lamar\u2019s \u200b<span class=\"pull-double\">\u201c<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=Z-48u_uWMHY&amp;ab_channel=KendrickLamarVEVO\"  target=\"_blank\" rel=\"noreferrer noopener\">Alright<\/a>\u201d in <span class=\"numbers\">2015<\/span>, the hopeful \u200b<span class=\"pull-double\">\u201c<\/span>We gon\u2019 be alright\u201d lyric could be heard at Black Lives Matter protests around the country. Brooklyn rapper Pop Smoke\u2019s \u200b<span class=\"pull-double\">\u201c<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=goYgHnsQdtY\"  target=\"_blank\" rel=\"noreferrer noopener\">Dior<\/a>,\u201d a\u00a0song celebrating good times and shopping for luxuries, became a\u00a0popular fixture at George Floyd protests in New York in <span class=\"numbers\">2020<\/span>, perhaps propelled by the sudden fatal shooting of the <span class=\"numbers\">20<\/span>-year-old rapper. In the past year, Mohammed Assaf\u2019s \u200b<span class=\"pull-double\">\u201c<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=S-1KDZTNty4&amp;ab_channel=L\"  target=\"_blank\" rel=\"noreferrer noopener\">Dammi Falastini<\/a>\u201d (\u201cMy Blood Is Palestinian\u201d in Arabic) has often been heard at pro-Palestine demonstrations. And this summer, Lamar\u2019s incendiary Drake diss track, \u200b<span class=\"pull-double\">\u201c<\/span><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/kendrick-lamar-not-like-us-kenya-tax-protest-1235054771\/\"  target=\"_blank\" rel=\"noreferrer noopener\">Not Like Us<\/a>,\u201d was played at anti-tax protests in\u00a0Kenya.<\/p>\n<p>Regardless of content, these songs provided a\u00a0soundtrack to movements, perhaps exemplifying how protest music can organically spread and take\u00a0shape.<\/p>\n<\/div>\n<div class=\"pb-8 px-4 font-serif text-lg md:text-1xl leading-normal md:leading-normal w-full   md:float-right md:ml-12   md:w-1\/2  z-30 relative\">\n<div class=\"  flex-col \">\n<div class=\"md:px-6\">\n<div class=\"embed video\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qRRoTR9HGFU?si=SRvQSv7WWIwRGgVT\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<div class=\"font-sans text-sm text-grey py-3\">\n<p>&#8220;Hind&#8217;s Hall 2&#8221; by Macklemore featuring Anees, MC Abdul, Amer Zahr<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"max-w-article mx-auto px-4 smaller\">\n<p>The freedom that independent artists and platforms have offers hope for a\u00a0resurgence of protest music. Unbound from the constraints of record labels and industry pressures, independent artists can address social issues with intention and purpose, fostering a\u00a0new era of music activism. In May, independent rapper Macklemore released his pro-Palestine song \u200b<span class=\"pull-double\">\u201c<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=fgDQyFeBBIo&amp;rco=1&amp;ab_channel=Macklemore\"  target=\"_blank\" rel=\"noreferrer noopener\">Hind\u2019s Hall<\/a>\u201d and an accompanying video, with all proceeds from the song (and the remix) going toward the United Nations Relief and Works Agency for Palestine Refugees. In his quick cadence, he raps: \u200b<span class=\"pull-double\">\u201c<\/span>What is threatening about divesting and wanting peace? The problem isn\u2019t the protests, it\u2019s what they\u2019re protesting. \u2026 You can\u2019t pay off me. Politicians who serve by any means. AIPAC, CUFI and all the companies. You see, we sell fear around the land of the free. But this generation here is about to cut the\u00a0strings.\u201d<\/p>\n<p>Reaching three Billboard charts since its release, the song\u2019s success shows how audiences are eager for music that speaks to the issues of the\u00a0moment.<\/p>\n<p>_______________________________________________<\/p>\n<p style=\"padding-left: 40px;\"><em><a href=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2024\/10\/Ivie-Ani.jpg\" ><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-276723 size-full\" src=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2024\/10\/Ivie-Ani-e1728462990196.jpg\" alt=\"\" width=\"90\" height=\"90\" \/><\/a>Ivie Ani is an award-winning and internationally recognized journalist, critic and media personality covering culture. She is a Nigerian North American Bronx native and New York University alumna.<\/em><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p><a target=\"_blank\" href=\"https:\/\/inthesetimes.com\/article\/grammy-award-protest-music-palestine-israel-genocide\" >Go to Original &#8211; inthesetimes.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>7 Oct 2024 &#8211; Mainstream musicians&#8211;a group once instrumental in amplifying sociopolitical causes and movements&#8211;are silent. The business of entertainment pop discourages artists from engaging in protest.<\/p>\n","protected":false},"author":4,"featured_media":276721,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[229,2394,269,609,87,865,88,234,129,444,1243,1779,427,1378,718,1006,2359,1025],"class_list":["post-276720","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-activism","tag-activism","tag-civil-resistance","tag-communication","tag-demonstrations","tag-gaza","tag-genocide","tag-israel","tag-media","tag-music","tag-nonviolence","tag-nonviolent-action","tag-nonviolent-communication","tag-palestine","tag-protests","tag-resistance","tag-social-media","tag-songs-of-nonviolence","tag-west-bank"],"_links":{"self":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/276720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/comments?post=276720"}],"version-history":[{"count":1,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/276720\/revisions"}],"predecessor-version":[{"id":276724,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/276720\/revisions\/276724"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/media\/276721"}],"wp:attachment":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/media?parent=276720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/categories?post=276720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/tags?post=276720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}