{"id":64072,"date":"2015-09-21T12:00:45","date_gmt":"2015-09-21T11:00:45","guid":{"rendered":"https:\/\/www.transcend.org\/tms\/?p=64072"},"modified":"2019-06-04T07:54:58","modified_gmt":"2019-06-04T06:54:58","slug":"shady-chocolate-the-dark-side-of-chocolate","status":"publish","type":"post","link":"https:\/\/www.transcend.org\/tms\/2015\/09\/shady-chocolate-the-dark-side-of-chocolate\/","title":{"rendered":"Shady Chocolate \u2013 The Dark Side of Chocolate"},"content":{"rendered":"<p>Ever since it was revealed that the chocolate industry is involved with child slavery in the Ivory Coast, the industry has been busy \u2013 due to consumer demands \u2013 explaining what exactly it does to actively fight trafficking and child labour.<\/p>\n<p>But does the industry live up to its own promises?<\/p>\n<p>In this investigative film, director Miki Mistrati tries to find out, if the chocolate industry \u2013 which is one of the largest corporations in the world \u2013 speak the truth, when they say that they provide education, medical care etc for the children of the Ivory Coast. However, the project runs into trouble already from the get-go because the embassy of the Ivory Coast won\u2019t let Miki enter the country until he has an invitation \u2013 from the chocolate industry.<\/p>\n<p><strong>Subtitulada en Espa\u00f1ol <\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"El lado oscuro del chocolate subtitulada en espa\u00f1ol\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/6BQzpavKmlE?start=6&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<table width=\"410\">\n<tbody>\n<tr>\n<td width=\"215\"><strong>Director<\/strong><br \/>\nMiki Mistrati<strong>Producer<\/strong><br \/>\nHelle Faber<strong>Editor<\/strong>Andreas Birch Eriksen<strong>Assistant photographer<\/strong><br \/>\nAnge Aboa<br \/>\nDitte Marie Nielsen<br \/>\nAndreas Birch Eriksen<\/p>\n<p><strong>Music<\/strong><br \/>\nUno Helmersson<\/p>\n<p><strong>Graphics<\/strong><br \/>\nKasper S\u00f8derlund<br \/>\nElectric Parc<\/p>\n<p><strong>Technical assistance<\/strong><br \/>\nJonas Abildgaard<\/p>\n<p><strong>Legal advisor<\/strong><br \/>\nTyge Trier<\/p>\n<p><strong>Translations<\/strong><br \/>\nAnge Aboa<br \/>\nNicolas de Mones<br \/>\nErica Taube<br \/>\nJessie Read<br \/>\nU Roberto Romano<\/p>\n<p><strong>Produced by<\/strong><br \/>\nmade in copenhagen<\/p>\n<p><strong>In co \u2013 production with<\/strong><br \/>\nNDR \/ Barbara Biemann<br \/>\nRadiator Film \/ Stefan Frost &amp; Henrik Underbjerg<\/td>\n<td width=\"207\"><strong>Co &#8211; Director<\/strong><br \/>\nU Roberto Romano<strong>Journalists<\/strong><br \/>\nDitte Marie Nielsen<br \/>\nAnge Aboa<strong>Cinematographer<\/strong><br \/>\nHenrik Bohn Ipsen<br \/>\nU Roberto Romano<br \/>\nKim L\u00f8ndal Frandsen<br \/>\nDan Holmberg<br \/>\nThomas Gerhardt<strong>Color grade \/ VFX &amp; visual producer<\/strong><br \/>\nAndreas Birch Eriksen<strong>Sound Design<\/strong><br \/>\nBobby Hess \/ Cosmo Tone<br \/>\nMartin Ahm \/ Ahmatron<strong>Narrator<\/strong><br \/>\nDavid Bateson<\/p>\n<p><strong>Production managers<\/strong><br \/>\nMathilde Hvid Lippmann<br \/>\nDitte Marie Nielsen<\/p>\n<p><strong>Archive<\/strong><br \/>\nCNN<br \/>\nMonday Media<\/p>\n<p><strong>Special thanks to<\/strong><br \/>\nEmilia Hammersh\u00f8y<br \/>\nEmanuele Dotto<br \/>\nAssoumane Maiga<br \/>\nYouchaou Traor\u00e9<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><a target=\"_blank\" href=\"http:\/\/www.shady-chocolate.com\/en\" >Go to Original \u2013 shady-chocolate.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ever since it was revealed that the chocolate industry is involved with child slavery in the Ivory Coast, the industry has been busy \u2013 due to consumer demands \u2013 explaining what exactly it does to actively fight trafficking and child labour. But does the industry live up to its own promises?<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[168],"tags":[],"class_list":["post-64072","post","type-post","status-publish","format-standard","hentry","category-in-depth-videos"],"_links":{"self":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/64072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/comments?post=64072"}],"version-history":[{"count":0,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/64072\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/media?parent=64072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/categories?post=64072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/tags?post=64072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}