{"id":84811,"date":"2017-01-02T12:00:33","date_gmt":"2017-01-02T12:00:33","guid":{"rendered":"https:\/\/www.transcend.org\/tms\/?p=84811"},"modified":"2016-12-28T15:10:04","modified_gmt":"2016-12-28T15:10:04","slug":"frank-uncompromising-and-tons-of-fun-what-makes-george-michael-an-lgbt-hero","status":"publish","type":"post","link":"https:\/\/www.transcend.org\/tms\/2017\/01\/frank-uncompromising-and-tons-of-fun-what-makes-george-michael-an-lgbt-hero\/","title":{"rendered":"Frank, Uncompromising, and Tons of Fun: What Makes George Michael an LGBT Hero"},"content":{"rendered":"<p style=\"padding-left: 30px;\"><em>How George Michael inspired us, turning a 1998 arrest for lewd behavior into a big FU to the authorities, and a public declaration of his sexuality.<\/em><\/p>\n<p><a href=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2016\/12\/george-michael.jpg\" ><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-84812\" src=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2016\/12\/george-michael.jpg\" width=\"500\" height=\"313\" srcset=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2016\/12\/george-michael.jpg 800w, https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2016\/12\/george-michael-300x188.jpg 300w, https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2016\/12\/george-michael-768x480.jpg 768w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p><em>26 Dec 2016 &#8211; <\/em>George Michael <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=auXy8IYnJb8\" >told the story<\/a> more than once: the moment when he was 8, tripping over at school, sliding along the floor and banging his head against a radiator. He bled badly, and took quite a knock. But from that moment on, his love was music.<\/p>\n<p>For the next few days it will be the songs that will be played and lovingly remembered\u2014rightly so, because <a target=\"_blank\" href=\"http:\/\/www.thedailybeast.com\/articles\/2016\/12\/25\/last-christmas-played-as-george-michael-died-the-song-s-unlikely-history-is-a-tribute-to-its-creator.html\" >Michael\u2019s and Wham!\u2019s songs<\/a> not only gave pleasure to so many, they stood for something: sexual pleasure, letting go, getting down, getting political, and also having ridiculous amounts of fun. The songs were \u2018pop\u2019 as pop should be\u2014they made your heart full to bursting, and they knew how to revel in the drama of heartbreak and loss.<\/p>\n<p>They could sound ridiculous, yet you know every word and drink in every rich, overblown melody.<\/p>\n<p>As part of Wham!, and later by himself, these songs were lush or loud, stomping or caressing. You could fast-dance to them, or place your head on a loved one\u2019s shoulder\u2014and they were classics, and remain so and transcend time, as we know because George Michael died today on Christmas Day, the day when one of Wham!\u2019s most famous songs\u2014\u201cLast Christmas\u201d\u2014plays seemingly everywhere on a loop.<\/p>\n<p>A group of ex-pat Brits, this reporter included, were listening to the song as part of a familiar medley in a New York apartment just as the news broke that Michael had died.<\/p>\n<p>And none of us complain about its omnipresence, especially today, because \u201cLast Christmas\u201d in all its warmly bathetic agony is as reassuring as a shawl with twinkling fairy lights. It\u2019s long transcended its own cheesiness. Now it is just loved, and as much a Christmas pop culture totem as \u201cHave Yourself a Merry Little Christmas.\u201d<\/p>\n<p>And so it will be that Michael\u2019s death date, December 25<sup>th<\/sup>, will become also marked by this song of lost love, of regret, of something ending far too soon as his life <a target=\"_blank\" href=\"http:\/\/www.thedailybeast.com\/cheats\/2016\/12\/25\/george-michael-dies.html?via=desktop&amp;source=copyurl\" >has done at 53<\/a>.<\/p>\n<p>Death\u2019s ruthless scythe through pop culture this year appears not to be done yet. At the time of writing it is not known what caused Michael\u2019s death. The time of his death was given as 1:42 p.m. The police say Michael\u2019s death is \u201cunexplained but not suspicious.\u201d<\/p>\n<p>Enfolded in that wonderful music\u2014and the stories of drugs and drinking, and the scandals of later years\u2014consider another George Michael. The one who told it as directly as possible; who, as time went on, didn\u2019t hide when scandal or downfall or public shame came knocking, but faced all those things not just stoically, but with a mischievous smile and brave to-hell-with-it dismissal of all those who would do him down.<\/p>\n<p>Part of his personal story is about making us\u2014his fans, the media, and the general public\u2014consider the true gamut of love, sexuality, and intimacy through his music and his life. The challenge of living openly and honestly is something George Michael met head-on, and that honesty was a challenge to many prejudices.<\/p>\n<p>The most public and brilliantly outrageous apotheosis of this was the single \u201cOutside,\u201d which he released after being arrested and charged for attempting to solicit a policeman in an L.A. men\u2019s room in 1998, for which he was fined $810 and had to serve 80 hours community service. It was after that that Michael came out, after many years of speculation about his sexuality.<\/p>\n<p>httpv:\/\/www.youtube.com\/watch?v=gwZAYdHcDtU<\/p>\n<p>But not for him the heartfelt confession, and tears, and venerable words about being true to oneself, and stoic self-regard. Instead, Michael stayed true to pop star form, and served up a deliciously, shockingly brash and unapologetic song and video making a polysexual, multi-gender, raunchy joke of the whole incident, and skewering the historic use of \u201cpretty policeman\u201d to entrap men who have sex with men in public bathrooms.<\/p>\n<p>Not for him the slinking away from the press after crises befell him. No tail between legs for George Michael. He not only came out, he wrote and talked about sex and having sex, and shamed all those that would try to shame him.<\/p>\n<p>As he tweeted in 2011:<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"500\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">I HAVE NEVER AND WILL NEVER APOLOGISE FOR MY SEX LIFE ! GAY SEX IS NATURAL, GAY SEX IS GOOD! NOT EVERYBODY DOES IT, BUT&#8230;..HA HA!<\/p>\n<p>&mdash; George Michael (@GeorgeMichael) <a target=\"_blank\" href=\"https:\/\/twitter.com\/GeorgeMichael\/status\/68839852162035713?ref_src=twsrc%5Etfw\" >May 13, 2011<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>And Michael\u2019s Twitter avatar is a group of people bathed in the LGBT liberation color of the rainbow. That\u2019s how and what George Michael imagined his voice projecting to the world.<\/p>\n<p>In 2010, having just been <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=EbVTl7upfDo\" >released from jail<\/a> having served a four-week sentence after crashing his Range Rover into the Hampstead, North London branch of Snappy Snaps photographic shop, he faced the press and said he couldn\u2019t be \u201cfookin\u2019 bothered\u201d to play cat-and-mouse with them, so they could take their pictures now.<\/p>\n<p>He thanked everyone who had supported him. He was going to start again. He was going to stop running away from the press\u2014they would get sick of seeing him, he said. \u201cBy the way,\u201d Michael said as a parting shot, \u201cI just thought of a really good idea for a song. It has nothing to do with prison.\u201d<\/p>\n<p>George Michael was an absolute pop star, but absolutely atypical in so many ways about his negotiation of the fame game. He was heartfelt and honest in both his music and his words, and this is what his fans responded to. He never stopped thanking them, and those thanks became ever more genuine as time went on, and scandals and illness were woven into his later life. The press never stopped hounding him, and his modus operandi was to speak as bluntly as possible to them\u2014not often, but enough. You might call his a very British polite, unapologetic defiance. He never sought absolution, but he attempted honest explanation. His relationship with his strengths, frailties and demons was complex. He sought help for what was damaging him. He picked himself up, and carried on. Refreshingly for a celebrity in this pat-confessional age, Michael never wheedled or whined.<\/p>\n<p>He was arrested for possession of class C drugs in 2006, receiving a caution, and the following year admitted to driving while unfit through drugs. Rather fabulously, when asked what his luxury would be on the desert island in BBC Radio 4\u2019s <em><a target=\"_blank\" href=\"http:\/\/www.bbc.co.uk\/programmes\/b008006s\" >Desert Island Discs<\/a><\/em>, it would be an Aston Martin DB9. No one would know on the solitary desert island that he was banned from driving, Michael joked.<\/p>\n<p>In 2008 he was arrested for drug possession again\u2014this time in a toilet on Hampstead Heath in London\u2014and was again cautioned. In 2010 there was his time \u201cinside,\u201d and in 2013 he was injured <a target=\"_blank\" href=\"http:\/\/www.bbc.com\/news\/uk-england-beds-bucks-herts-22571754\" >in a car crash<\/a> on a British motorway.<\/p>\n<p>In some ways, Michael is a very familiar British pop star, and success story. He came from the suburbs: not a rich kid, not a poor one either. His father was a Greek-Cypriot restaurateur and his mother a dancer. He met his Wham! partner Andrew Ridgeley at school, and in the North London suburbs they plotted their pop-world ascent, eventually forming their pretty-boy power duo.<\/p>\n<p>He was cocky-suburban-sexy to <a target=\"_blank\" href=\"http:\/\/www.thedailybeast.com\/articles\/2016\/01\/11\/how-david-bowie-sexually-liberated-us-all.html\" >Bowie&#8217;s born-in-suburbia-alien<\/a>, and in their own very different ways they would go on to become sexual radicals.<\/p>\n<p>To a certain generation, to a certain kind of music lover, Michael\u2019s death will be momentous. It was Wham!\u2019s songs that powered fortysomethings through long-ago school discos\u2014\u201cWake Me Up Before You Go-Go,\u201d \u201cClub Tropicana,\u201d \u201cI\u2019m Your Man,\u201d \u201cBad Boys,\u201d and \u201cFreedom\u201d\u2014and then the dramatic and lush more adult songs for when the lights got lower, like that mournful, warning sax in \u201cCareless Whisper\u201d (Michael\u2019s first solo record, made while he was still with Wham!) and, of course, the winningly camp heartbreak of \u201cLast Christmas.\u201d<\/p>\n<p>In Britain in the 1980s, their peppy, bright pop music came with videos of the signifiers of that decade: fast cars, boats, and big hair. Wham! was the essence of eighties pop. They were anthems best sung as a shout, and best danced to as a stomp, your arms as crazy windmills. Wham! was pop joy. They were famously anti-Margaret Thatcher, but their songs were as brashly eighties as <a target=\"_blank\" href=\"http:\/\/www.thedailybeast.com\/topics\/margaret-thatcher.html\" >the Iron Lady herself<\/a>.<\/p>\n<p>Michael and Ridgeley parted ways in 1986, and it was Michael\u2019s whose career continued and who remained in the public eye. In the beginning of that new solo life, the focus was still on his music, and his global fame grew and grew. There was \u201cFaith,\u201d \u201cFather Figure,\u201d \u201cI Want Your Sex,\u201d in which he writhed with then-girlfriend Kathy Jeung, the overtly political \u201cPraying For Time,\u201d and \u201cFreedom 90!\u201d featuring a brace of cavorting supermodels.<\/p>\n<p>httpv:\/\/www.youtube.com\/watch?v=diYAc7gB-0A<\/p>\n<p>The question of Michael\u2019s sexuality remained blurry for years. The tabloids did what the tabloids did (a lot then, and less so now), which was to insinuate and bait.<\/p>\n<p>Much later, the <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=NZitocjU_nw\" >satirical show <em>Star Stories<\/em><\/a> imagined Boy George confronting Michael in his most eighties, blow-dried, tinted-hair, tennis-gear-wearing-sexiness incarnation.<\/p>\n<p>Boy George tells the other George he knows he is gay\u2014and the joke is that, back then in the 80s, he exhibited all the stereotyped characteristics of being just so, although he never said so. (After he came out Michael said he wished he had done so sooner.)<\/p>\n<p>At 27, and still publicly not out, Michael fell in love with Anselmo Feleppa, his first love (in 2007, Michael said there had been three to date in his life). Feleppa died of what Michael described as an AIDS-related brain hemorrhage in 1993.<\/p>\n<p>Michael spoke of that relationship movingly <a target=\"_blank\" href=\"http:\/\/www.gq-magazine.co.uk\/article\/george-michael-interview\" >in a 2004 GQ interview<\/a>, and his frustration at Feleppa\u2019s Catholicism. \u201cOne of the most heartbreaking things I ever saw was when I went into Anselmo\u2019s room one afternoon and he was sitting there in bed with his prayer cards. I just thought to myself, \u2018Please don\u2019t tell me you think you\u2019re going to hell.\u2019 It makes me so angry and I sincerely hope he didn\u2019t fear that.\u201d<\/p>\n<p>After Feleppa\u2019s death, Michael wrote a long letter to his parents coming out, and\u2014as he told the BBC\u2019s <em>Desert Island Discs<\/em> <a target=\"_blank\" href=\"http:\/\/www.bbc.co.uk\/programmes\/b008006s\" >in 2007<\/a>\u2014he had been \u201cterrified\u2026it was such a dark period of my life and I thought it would continue that way.\u201d Not long after, his mother died. He took these two bereavements particularly badly, and had nobody to nudge him into activity again.<\/p>\n<p>As for the 1998 incident in the men\u2019s room, he had once mused whether cruising in a public restroom was his own way of somehow coming out.<\/p>\n<p>He told GQ, \u201cI honestly think it was a desperate attempt to make the trauma in my life about me, because then, maybe, I could control the outcome.<\/p>\n<p>\u201cUp to then, the traumas had been out of my control and the outcome always bad. From the point when Anselmo got sick, I felt out of control. There were also family problems too hurtful to talk about, but I was snowed under with things I couldn\u2019t do anything about.<\/p>\n<p>\u201cSo I gave myself this six-month distraction from every day being about missing my mother. For six months, I had to work hard to fight for my career, but once that was done there was nothing to stop what came after it, which was just total depression. But as subconscious plans go, it was pretty successful.\u201d<\/p>\n<p>In 2007, he <a target=\"_blank\" href=\"http:\/\/www.bbc.co.uk\/programmes\/b008006s\" >told<\/a> BBC Radio 4&#8217;s <em>Desert Island Discs<\/em>, that the 1998 restroom incident was his subconscious way of coming out. One had to \u201cunderstand how much I love my family and that AIDS was the predominant feature of being gay in the 1980s and early \u201890s as far as any parent was concerned&#8230; My mother was still alive and every single day would have been a nightmare for her thinking what I might have been subjected to.<\/p>\n<p>httpv:\/\/www.youtube.com\/watch?v=E8gmARGvPlI<\/p>\n<p>\u201cI\u2019d been out to a lot of people since 19. I wish to God it had happened then. I don\u2019t think I would have the same career\u2014my ego might not have been satisfied in some areas\u2014but I think I would have been a happier man.\u201d<\/p>\n<p>In the <em>GQ<\/em> interview, Michael talked about meeting Kenny Goss, his partner for a number of years, in a \u201crespectable spa,\u201d and the depression that was so corrosive and which Goss helped him healthily try to confront. \u201cIf he hadn\u2019t been around, I think my life would have been in danger, in terms of me. After Mum\u2019s death in 1997, when I couldn\u2019t write and I felt really worthless, I don\u2019t think I could have taken it really. I think I might have been one of those cowards who choose a nasty way out.\u201d<\/p>\n<p>Michael spoke candidly about his and Goss\u2019s open relationship. \u201cSome gay men manage monogamy forever, and I envy them because it\u2019s a great thing. But when you first meet someone, that chemical flows through your body and says \u2018fuck, fuck, fuck!\u2019 it\u2019s wondrous. If you can keep hold of that, great. But for me to experience that again in a relationship, I\u2019d have to split with Kenny.\u201d<\/p>\n<p>George Michael wasn\u2019t one of those out-celebrities trying to play \u2018normal.\u2019 He was himself. He spoke about love and horniness and commitment as he struggled to negotiate all of it. He spoke honestly of how differently framed <a target=\"_blank\" href=\"http:\/\/www.thedailybeast.com\/topics\/lgbtqia.html\" >gay sex lives<\/a> can be to hetero norms. He spoke about the closet, and why he was in it, and why he came out of it. None of it was chocolate-box, and tied up with a bow.<\/p>\n<p>Michael spoke about cruising for gay sex in public, and he spoke about being attracted to women still. \u201cIf I wasn\u2019t with Kenny, I would have sex with women, no question. But I would never be able to have a relationship with a woman because I\u2019d feel like a fake. I regard sexuality as being about who you pair off with, and I wouldn\u2019t pair off with a woman and stay with her. Emotionally, I\u2019m definitely a gay man.\u201d<\/p>\n<p>In the same interview, he talked about his early sexual fantasies being about women, that he put his sexuality down to nurture rather than nature.<\/p>\n<p>Later, Michael had a relationship with hairdresser Fadi Fawaz (although there were <a target=\"_blank\" href=\"https:\/\/www.thesun.co.uk\/tvandshowbiz\/2478000\/george-michael-secretly-close-with-love-of-his-life-kenny-goss-just-weeks-before-his-death\/\" >reports<\/a> he had become close to Goss again). Late Boxing Day, <a target=\"_blank\" href=\"https:\/\/twitter.com\/fadifawaz\/status\/813438773606449152\" >Fawaz tweeted<\/a> of his shock at discovering Michael&#8217;s dead body in bed on Christmas Day, describing Michael as his partner. Fawaz&#8217;s Twitter avatar features him and Michael together, and alongside that: &#8220;I will never stop missing you xxx.&#8221;<\/p>\n<p>Michael&#8217;s relationships not only were written about in the press (and expect more of that in the coming days), Michael spoke about them himself\u2014that openness again, those challenges to the prejudiced and those with narrow ideas of sexuality and how relationships and love worked.<\/p>\n<p>Sometimes when Michael spoke would be to decry the press for getting things wrong, and sometimes it was just to talk. Michael was a wonderful storyteller, as his <em>Desert Island Discs<\/em> appearance shows. Every anecdote he relays has so many wonderful, tantalizing strands unpeeling from it. The George Michael story is far from fully told.<\/p>\n<p>When he was released from hospital in 2011, after treatment for life-threatening pneumonia, Michael gave another <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=NZitocjU_nw\" >impromptu press conference<\/a>. He said he had \u201cplenty to love for. I have an amazing, amazing life. If I wasn\u2019t spiritual enough before the last four or five weeks I certainly am now.\u201d<\/p>\n<p>It had been touch-and-go for a couple of weeks, he said, and\u2014voice cracking and with warmth\u2014he thanked the medical staff for all they did to save his life. \u201cI\u2019m a new man.\u201d<\/p>\n<p>In 2014 came what would be Michael\u2019s sixth and final album, <em>Symphonica<\/em>, deriving from one of the tours he undertook in the last years of his life.<\/p>\n<p>As I type this, I am listening to \u201cLast Christmas.\u201d Again. Of course you listened to it today and maybe tonight\u2014probably more than once. You hear those slinky bells, and you know it, you hear George Michael\u2019s yearning voice about lost love\u2014\u201cLast Christmas, I gave you my heart\/And the very next day you gave it away\u201d\u2014and you know it. How many Christmas discos have it as their last song? Or office parties? The song long transcended any sense of cheesiness, and just became loved.<\/p>\n<p>It even featured on the <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=d4wKtcgOr60\" >BBC\u2019s flagship soap<\/a> <em>EastEnders<\/em> this Christmas\u2014not just as background music in the Queen Vic pub, but on a tape made for legendary character Dot Branning by a deceased character, Heather Trott, whose love for George Michael knew no bounds. It even led her to once scale the walls of his London home.<\/p>\n<p>And now \u201cLast Christmas\u201d becomes the anthem for Michael\u2019s last Christmas. But also as I type this, I am playing the joyous whoops of \u201cBad Boys,\u201d and thinking of all those mirrored doors and walls opening chaotically as the sexual riot of \u201cOutside\u201d unfolds.<\/p>\n<p>Those were George Michael\u2019s closet doors, finally being thrown open en masse to reveal sex, joy, dancing, and sexuality itself. No shame. No going back in. His lesson to younger gay pop stars, and in fact radically to his fans, to all of us whatever our sexuality and political beliefs was uncompromising: not only can you be out, you can boldly claim and revel in your sexuality. You can be out, but you don\u2019t have to be the good-gay they want you to be. You can be yourself.<\/p>\n<p>After Feleppa\u2019s death, Michael not only wrote \u201cJesus To a Child\u201d in his memory, but also\u2014in Michael\u2019s opinion\u2014his best album, <em>Older<\/em>. \u201cI never want to feel that loss, that depth of emotion again,\u201d he told <em>Desert Island Discs<\/em>. \u201cI hope he\u2019s very, very proud of it somewhere.\u201d Maybe, hopefully, somewhere Feleppa is telling George Michael precisely that.<\/p>\n<p>________________________________________<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2016\/12\/Tim-Teeman.jpg\" ><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-84813\" src=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2016\/12\/Tim-Teeman.jpg\" alt=\"\" width=\"96\" height=\"96\" \/><\/a><em><a target=\"_blank\" href=\"http:\/\/timteeman.com\" >Tim Teeman<\/a> is a senior editor and writer at <\/em>The Daily Beast<em> and the author of <\/em><a target=\"_blank\" href=\"http:\/\/www.amazon.com\/Bed-Gore-Vidal-Tim-Teeman\/dp\/1626010412\/ref=sr_1_1?ie=UTF8&amp;qid=1379276859&amp;sr=8-1&amp;keywords=gore+vidal+teeman\" >In Bed With Gore Vidal: Hustlers, Hollywood and the Private World of an American Master<\/a><em>, published by Riverdale Avenue Books\/Magnus. Before joining <\/em>The Daily Beast<em>, Tim was US Correspondent at <\/em>The Times of London<em>. Tim was honored at the 2016 <a target=\"_blank\" href=\"http:\/\/www.nlgja.org\/\" >NLGJA (Association of LGBTQ Journalists)<\/a> Excellence in Journalism awards, in the Journalist of the Year category, and in the Interviewer of the Year category for his <a target=\"_blank\" href=\"http:\/\/www.thedailybeast.com\/articles\/2015\/11\/04\/jane-clementi-i-almost-killed-myself-after-tyler-s-suicide-this-is-how-i-survived.html\" >Daily Beast interview with Jane Clementi, mother of Tyler Clementi<\/a>.<\/em><\/p>\n<p><a target=\"_blank\" href=\"http:\/\/www.thedailybeast.com\/articles\/2016\/12\/26\/frank-uncompromising-and-tons-of-fun-what-makes-george-michael-an-lgbt-hero.html\" >Go to Original \u2013 thedailybeast.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>How George Michael inspired us, turning a 1998 arrest for lewd behavior into a big FU to the authorities, and a public declaration of his sexuality.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[181],"tags":[],"class_list":["post-84811","post","type-post","status-publish","format-standard","hentry","category-sexualities"],"_links":{"self":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/84811","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/comments?post=84811"}],"version-history":[{"count":0,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/84811\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/media?parent=84811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/categories?post=84811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/tags?post=84811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}