{"id":96664,"date":"2017-08-21T12:00:58","date_gmt":"2017-08-21T11:00:58","guid":{"rendered":"https:\/\/www.transcend.org\/tms\/?p=96664"},"modified":"2017-08-07T11:52:59","modified_gmt":"2017-08-07T10:52:59","slug":"im-explaining-a-few-things","status":"publish","type":"post","link":"https:\/\/www.transcend.org\/tms\/2017\/08\/im-explaining-a-few-things\/","title":{"rendered":"I&#8217;m Explaining a Few Things"},"content":{"rendered":"<p>You are going to ask: and where are the lilacs?<br \/>\nand the poppy-petalled metaphysics?<br \/>\nand the rain repeatedly spattering<br \/>\nits words and drilling them full<br \/>\nof apertures and birds?<br \/>\nI&#8217;ll tell you all the news.<\/p>\n<p>I lived in a suburb,<br \/>\na suburb of Madrid, with bells,<br \/>\nand clocks, and trees.<\/p>\n<p>From there you could look out<br \/>\nover Castille&#8217;s dry face:<br \/>\na leather ocean.<br \/>\nMy house was called<br \/>\nthe house of flowers, because in every cranny<br \/>\ngeraniums burst: it was<br \/>\na good-looking house<br \/>\nwith its dogs and children.<br \/>\nRemember, Raul?<br \/>\nEh, Rafel? Federico, do you remember<br \/>\nfrom under the ground<br \/>\nmy balconies on which<br \/>\nthe light of June drowned flowers in your mouth?<br \/>\nBrother, my brother!<br \/>\nEverything<br \/>\nloud with big voices, the salt of merchandises,<br \/>\npile-ups of palpitating bread,<br \/>\nthe stalls of my suburb of Arguelles with its statue<br \/>\nlike a drained inkwell in a swirl of hake:<br \/>\noil flowed into spoons,<br \/>\na deep baying<br \/>\nof feet and hands swelled in the streets,<br \/>\nmetres, litres, the sharp<br \/>\nmeasure of life,<br \/>\nstacked-up fish,<br \/>\nthe texture of roofs with a cold sun in which<br \/>\nthe weather vane falters,<br \/>\nthe fine, frenzied ivory of potatoes,<br \/>\nwave on wave of tomatoes rolling down the sea.<\/p>\n<p>And one morning all that was burning,<br \/>\none morning the bonfires<br \/>\nleapt out of the earth<br \/>\ndevouring human beings &#8212;<br \/>\nand from then on fire,<br \/>\ngunpowder from then on,<br \/>\nand from then on blood.<br \/>\nBandits with planes and Moors,<br \/>\nbandits with finger-rings and duchesses,<br \/>\nbandits with black friars spattering blessings<br \/>\ncame through the sky to kill children<br \/>\nand the blood of children ran through the streets<br \/>\nwithout fuss, like children&#8217;s blood.<\/p>\n<p>Jackals that the jackals would despise,<br \/>\nstones that the dry thistle would bite on and spit out,<br \/>\nvipers that the vipers would abominate!<\/p>\n<p>Face to face with you I have seen the blood<br \/>\nof Spain tower like a tide<br \/>\nto drown you in one wave<br \/>\nof pride and knives!<\/p>\n<p>Treacherous<br \/>\ngenerals:<br \/>\nsee my dead house,<br \/>\nlook at broken Spain :<br \/>\nfrom every house burning metal flows<br \/>\ninstead of flowers,<br \/>\nfrom every socket of Spain<br \/>\nSpain emerges<br \/>\nand from every dead child a rifle with eyes,<br \/>\nand from every crime bullets are born<br \/>\nwhich will one day find<br \/>\nthe bull&#8217;s eye of your hearts.<\/p>\n<p>And you&#8217;ll ask: why doesn&#8217;t his poetry<br \/>\nspeak of dreams and leaves<br \/>\nand the great volcanoes of his native land?<\/p>\n<p>Come and see the blood in the streets.<br \/>\nCome and see<br \/>\nThe blood in the streets.<br \/>\nCome and see the blood<br \/>\nIn the streets!<\/p>\n<p>________________________________________<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2017\/08\/Pablo-Neruda.jpeg\" ><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-96665 size-full\" src=\"https:\/\/www.transcend.org\/tms\/wp-content\/uploads\/2017\/08\/Pablo-Neruda-e1502103089333.jpeg\" alt=\"\" width=\"100\" height=\"128\" \/><\/a><em>Pablo Neruda was the pen name and, later, legal name of the Chilean poet-diplomat and politician Ricardo Eli\u00e9cer Neftal\u00ed Reyes Basoalto. He derived his pen name from the Czech poet Jan Neruda. Pablo Neruda won the Nobel Prize for Literature in 1971. <\/em><a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/Pablo_Neruda\" >Wikipedia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>You are going to ask: and where are the lilacs?<br \/>\nand the poppy-petalled metaphysics?<br \/>\nand the rain repeatedly spattering<br \/>\nits words and drilling them full<br \/>\nof apertures and birds?<br \/>\nI&#8217;ll tell you all the news.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[182],"tags":[],"class_list":["post-96664","post","type-post","status-publish","format-standard","hentry","category-poetry-format"],"_links":{"self":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/96664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/comments?post=96664"}],"version-history":[{"count":0,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/posts\/96664\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/media?parent=96664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/categories?post=96664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.transcend.org\/tms\/wp-json\/wp\/v2\/tags?post=96664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}