James Cousins (22 Jul 1873 – 20 Feb 1956): An Effort of Synthesis
BIOGRAPHIES, 22 Jul 2019
René Wadlow – TRANSCEND Media Service
“A national culture is impossible without the individual creative artist; the individual artist is important and unintelligible except in his relationship to his national culture. Where either tries to do without the other, degeneracy ensues nationally and individually…The true artist is the true patriot, speaking the language of eternity but in the vernacular of his own time and place…Where art does not rise from authentic springs, but is piped from distances by subterranean ways, it becomes troubled, muddied, and at best only reaches a dull mediocrity. But art that embodies the creative impulse of the universe, with high vision and deep emotion, in its own time and place and way, will by the force of its authenticity pass beyond these limits into universal appreciation.”
— James H. Cousins A Study in Synthesis (Madras: Ganesh and Co. 1934)
James Cousins was the Irish poet who with A.E. (George Russell) and William Butler Yeats played a major role in the Irish literary revival in the 1890s-1900s. Later he went to India as literary editor for Annie Besant’s newspaper New India and then was one of the organisers of the State University of Travancore, where he headed the Department of Fine Arts and English Studies. Thus he was in a privileged position to study the interaction between Western and Indian thought with a critical eye. Cousins was much appreciated by the Indian philosopher and social activist Sri Aurobindo who was an attentive observer of Western evaluations of Indian culture.
Since Ireland was still a colony of Great Britain in Cousins’ formative years, he could sympathise with the need of not being dominated by a foreign culture and yet using the instruments needed to be universal. Ireland lived under a subtle form of colonialism rather than the Empire in Africa and India where domination was made more obvious by the distance from the center of power and the racial differences. He wrote in English and not the Gaelic (Celtic) which some Irish nationalists wanted to make a “national language” though it was understood by only a small minority.
His A Study in Synthesis is a rich and complex study of the ways in which intuition, emotion, cognition, and action structure human life. He places great importance on the power of intuition as the way the individual feels the push and pressure of the Cosmos. The eye of the Cosmos looks over the activities of the individual psyche. As Cousins writes,
“From the total push and pressure of the Cosmos come the impulses of life that manifest themselves through desires (emotions) counsel (cognition) and works (action)…In other terms, the intuition flows through thoughts as truth, through feeling as beauty, through action as goodness.”
This framework Cousins translates into Indian terms as intuition which is nameless and before all — the Para-Brahman, or what in Chinese thought is the Tao. It manifests itself in the created world as cognition, symbolized as Shiva, the Lord of the Cosmic Dance, in the emotional world as Vishnu, and in the world of action as Brahma — the three aspects of the Hindu trinity. This synthesis of intuition, cognition, emotion and action gives us the philosophical experience, a mental response to reality, warmed by emotion and vivified by life.
The arts are the most direct representation of synthesis. The arts are both an expression of a time and place and yet some deep aesthetic sense in each individual allows him to be moved by great art across the divides of time and place. Thus a consideration of the arts is an appropriate form of dialogue out of which policy considerations can be drawn.
Art has never been just an individual achievement but has always had a social aspect. The painting and sculpture of temple and church was to be contemplated by all. Rulers and the wealthy have been patrons of the arts while often restricting creativity to their individual tastes. Modern governments have followed the pattern and can play both positive and negative roles. Today, the mass media can open doors to true creative experience as well as playing to the lowest mass attitudes.
Thus, we are at a time of particular importance for a world-wide discussion of the role of the arts, of the ways in which we can learn from each other. We can discuss the ways in which art is related to spirit and the higher dimensions of being. Rabindranath Tagore stressed that art is a means to satisfy the hunger of the soul for reality writing,
“Our soul has her hunger for this immediateness of realisation, whereby she is enabled to know herself. The love, the contemplation, the vision that alone can satisfy this hunger finds its place in Literature, in Art.”
René Wadlow is a member of the TRANSCEND Network for Peace Development Environment. He is President of the Association of World Citizens, an international peace organization with consultative status with ECOSOC, the United Nations organ facilitating international cooperation and problem-solving in economic and social issues, and editor of Transnational Perspectives.
This article originally appeared on Transcend Media Service (TMS) on 22 Jul 2019.
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One Response to “James Cousins (22 Jul 1873 – 20 Feb 1956): An Effort of Synthesis”
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An excellent article by the redoubtable Rene Wadlow! Thanks!
In my childhood and adolescence, I recall the name, James Cousins, mentioned respectfully as a critic and sage. Not so much these days…so I am glad to see Rene Wadlow revive the memory of him.
Not only that, but Rene has placed Cousins among a pantheon of contemporaneous greats like William Butler Yeats, Sri Aurobindo and Rabindranath Tagore.
And, besides their critical, rapier minds, what did these sages have in common? A deep respect for Art (I like to capitalize the word!).
Rene sounds temple bells within our minds and hearts when he writes: “…we are at a time of particular importance for a world-wide discussion of the role of the arts, of the ways in which we can learn from each other…”
And Cousins hit the golden spike on the head when he wrote about national culture and the authentic, individual creative artist: “Where either tries to do without the other, degeneracy ensues nationally and individually…”
When shall we succeed in “synthesizing” left-brain and right-brain activities: the analytical/mathematical/sociological and the creative? Can we have peace without the music of peace?
Often, the beginning of peace-talks may lie in a beautiful song I hear my enemy singing.
“If I had a hammer,” Pete Seeger sang, “I’d hammer out justice…all over the world….”