We Need Their Voices Today! (2) William Blake
BY TRANSCEND MEMBERS, 26 June 2017
John Scales Avery, Ph.D. – TRANSCEND Media Service
This is a collection of biographical sketches showing people whose wise voices from the past can help to guide us today. All of the women and men, brief glimpses of whose lives and ideas are portrayed here, gave a high place to compassion. None of them was a slave to greed. We need their voices today!
[Note from TMS editor: It will be posted one biographical sketch per week]
Education as an Engraver and Printmaker
William Blake was born in 1757 in the Soho district of London. He was the third of seven children, two of whom died in infancy. His parents, who were English Dissenters, seem to have been reasonable wealthy during his childhood, since his father was able to purchase many books for him. Among these were books of engravings and drawings through which Blake became familiar with works of Michelangelo, Raphael and Albrecht Durer.
Recognizing their son’s extremely independent temperament and his gifts as an artist, his parents sent him to an ordinary school only long enough to learn reading and writing, after which he was tutored at home by his mother, and later apprenticed to an engraver and printmaker. After he had finished his apprenticeship, the young Blake became a student at the Royal Academy. Finally, he opened his own engraving and printmaking shop. Blake continued to read avidly on topics of all kinds, but was most influenced by his studies of the Bible.
In 1782, while recovering from the pain of a rejected marriage proposal, Blake met Catherine Boucher, who was five years his junior. He told Catherine about the pain he had experienced and asked “Do you pity me?” When she answered that she did, Blake replied “Then I love you”.
Blake’s marriage to Catherine was an extremely happy one. She was illiterate, but he taught her to read and write. Later he also trained her as an engraver. She was an invaluable help to him, and she lifted his spirits whenever he was burdened by misfortunes. She said of her husband, “He is always in Heaven”.
William Blake’s first collection of poems, “Poetical Sketches”, was printed around 1783. After his father’s death, Blake and former fellow apprentice James Parker opened a print shop in 1784, and began working with radical publisher Joseph Johnson. Johnson’s house was a meeting-place for some leading English intellectual dissidents of the time: theologian and scientist Joseph Priestley, philosopher Richard Price, artist John Henry Fuseli, early feminist Mary Wollstonecraft and English-American revoutionary Thomas Paine, along with William Wordsworth and William Godwin. Blake had great hopes for the French and American revolutions, but despaired with the rise of Robespierre and the Reign of Terror in France.
Blake illustrated “Original Stories from Real Life” (2nd edition, 1791) by Mary Wollstonecraft. They seem to have shared some views on sexual equality and the institution of marriage, but there is no evidence proving without doubt that they actually met. In 1793 Blake published “Visions of the Daughters of Albion”, in which he condemned the cruel absurdity of enforced marriage without love and defended the right of women to complete self-fulfilment.
Some Verses from Auguries of Innocence
“To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour.
A Robin Red breast in a Cage
Puts all Heaven in a Rage
A Dove house filled with Doves & Pigeons
Shudders Hell thr’ all its regions
A dog starvd at his Masters Gate
Predicts the ruin of the State
A Horse misusd upon the Road
Calls to Heaven for Human blood
Each outcry of the hunted Hare
A fibre from the Brain does tear
A Skylark wounded in the wing
A Cherubim does cease to sing
The Game Cock clipd & armd for fight
Does the Rising Sun affright
Every Wolfs & Lions howl
Raises from Hell a Human Soul
The wild deer, wandring here & there
Keeps the Human Soul from Care
The Lamb misusd breeds Public Strife
And yet forgives the Butchers knife
The Bat that flits at close of Eve
Has left the Brain that wont Believe
The Owl that calls upon the Night
Speaks the Unbelievers fright
He who shall hurt the little Wren
Shall never be belovd by Men
He who the Ox to wrath has moved
Shall never be by Woman loved
The wanton Boy that kills the Fly
Shall feel the Spiders enmity
He who torments the Chafers Sprite
Weaves a Bower in endless Night
The Catterpiller on the Leaf
Repeats to thee thy Mothers grief
Kill not the Moth nor Butterfly
For the Last Judgment draweth nigh
He who shall train the Horse to War
Shall never pass the Polar Bar
The Beggars Dog & Widows Cat
Feed them & thou wilt grow fat
The Gnat that sings his Summers Song
Poison gets from Slanders tongue
The poison of the Snake & Newt
Is the sweat of Envys Foot
The poison of the Honey Bee
Is the Artists Jealousy
The Princes Robes & Beggars Rags
Are Toadstools on the Misers Bags
A Truth thats told with bad intent
Beats all the Lies you can invent
The Whore & Gambler by the State
Licencd build that Nations Fate
The Harlots cry from Street to Street
Shall weave Old Englands winding Sheet
The Winners Shout the Losers Curse
Dance before dead Englands Hearse
Every Night & every Morn
Some to Misery are Born
Every Morn and every Night
Some are Born to sweet delight
Some are Born to sweet delight
Some are Born to Endless Night.”
“And did those feet in ancient time
Walk upon England’s mountains green?
And was the holy Lamb of God
On England’s pleasant pastures seen?
And did the Countenance Divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among these dark Satanic Mills?
“Bring me my bow of burning gold!
Bring me my arrows of desire!
Bring me my spear! O clouds, unfold!
Bring me my chariot of fire!
I will not cease from mental fight,
Nor shall my sword sleep in my hand,
Till we have built Jerusalem
In England’s green and pleasant land.”
“I wandered through each chartered street
Near which the chartered Thames doth flow.
A mark in every face I meet,
marks of weakness, marks of woe.
“In every cry of every man,
In every infant’s cry of fear,
In every voice, in every ban,
The mind-forged manacles I hear.
“How the chimney-sweeper’s cry
Every blackening church appalls,
And how the hapless soldier’s sigh
Runs in blood down palace-walls.
“But most, through midnight streets I hear
How the youthful harlot’s curse
Blasts the new-born infant’s tear,
And blights with plagues the marriage-hearse.”
William Blake, sublime visionary poet and artist, voice of the poor. Voice of nature, we need your voice today!
1 Saint Francis of Assisi
2 William Blake
3 Thomas Paine
4 Thomas Jefferson
5 Mary Wollstonecraft
6 William Godwin
7 The Marquis de Condorcet
8 Thomas Robert Malthus
9 Percy Bysshe Shelley
10 Robert Owen
11 John Stuart Mill
12 Henry David Thoreau
13 Count Leo Tolstoy
14 Mahatma Gandhi
15 Martin Luther King
16 Wilfred Owen
17 Albert Einstein
18 Edna St. Vincent Millay
19 Bertha von Suttner
20 George Orwell
21 Helen Keller
22 We need their voices, and yours!
John Scales Avery, Ph.D., who was part of a group that shared the 1995 Nobel Peace Prize for their work in organizing the Pugwash Conferences on Science and World Affairs, is a member of the TRANSCEND Network and Associate Professor Emeritus at the H.C. Ørsted Institute, University of Copenhagen, Denmark. He is chairman of both the Danish National Pugwash Group and the Danish Peace Academy and received his training in theoretical physics and theoretical chemistry at M.I.T., the University of Chicago and the University of London. He is the author of numerous books and articles both on scientific topics and on broader social questions. His most recent books are Information Theory and Evolution and Civilization’s Crisis in the 21st Century (pdf).
This article originally appeared on Transcend Media Service (TMS) on 26 June 2017.
Anticopyright: Editorials and articles originated on TMS may be freely reprinted, disseminated, translated and used as background material, provided an acknowledgement and link to the source, TMS: We Need Their Voices Today! (2) William Blake, is included. Thank you.
This work is licensed under a CC BY-NC 4.0 License.
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