The Lord of the Dances, a Sanctuary of Motion

TRANSCEND MEMBERS, 15 Sep 2025

Prof Hoosen Vawda – TRANSCEND Media Service

This publication is suitable for general readership. Parental guidance is recommended for minors, who may use this paper, as a resource material, for projects.

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[The author, a Muslim, unconditionally apologises for any misrepresentations or misconceptions expressed about other religious beliefs and cultural practises, as stated in this publication.  The paper is based on the author’s extensive research, appended with online references, as well as discourse with my interfaith associates, in good faith.  If any reader finds any statements recorded, as objectionable, you are kindly invited to correspond with the author, by the listed e-mail or global voice contact.]

Analysing Cultural and Religious Dance Forms as Modalities for Generating Endogenous Personal Peace

“The profound symbolism of Lord Shiv’s Cosmic Dance, synchronised with all the cosmic bodies and elements. The entire universe draws on this energy with the fervent hope that Lord’s creation will also be in synchronised harmony, with one another, as well as the cosmos. Alas! this is not so, to explain the problems and impediments, humans face, causing internal, local community and global loss of Endogenous Personal Peace. This decoherence results in belligerence. The author proposes this conceptual hypothesis, which forms the very bedrock of a deep cosmological and neuro-psychological understanding of Peace.”[1]

Prologue

Endogenous Personal Peace (EPP)[2],[3] is a state of bio-psycho-spiritual coherence, where an individual’s internal rhythms (neural, hormonal, autonomic and biophotonic[4],) achieve synchrony with the self-regulating, rhythmic patterns of the natural and cosmic order.[5] Sacred dance traditions across all cultures are independently evolved, yet fundamentally congruent, discoveries of new technologies are designed to induce this state. They function by entraining human consciousness, through rhythm, symbolism, and communal resonance, away from dissonance (belligerence, anxiety) and towards harmony, making the individual a microcosmic reflection of a macrocosmic principle. brilliantly synthesized. The author has grasped the core thesis: that a universal, perennial philosophy of cosmic harmony, expressed through Vedantic thought[6] and the metaphor of Nataraj[7], finds its practical, embodied expression in diverse sacred dance traditions across the globe. Each one is a unique dialect of this universal language of rhythm, continuously infused and sustained cosmic energy, resulting in peace, not only endogenous, but global.

This is the precise conceptual framework commencing from the macrocosmic (Nataraja’s dance orchestrating the universe) to the microcosmic (the emission of coherent biophotons and neuroharmonics[8] in a peaceful individual), the diverse dance forms in different religious and cultures are Divine Ancient Technologies[9] (DAT), to align and synchronise the human organism with a fundamental cosmic order,

This integrates the magnificent, probably originating in antiquity, rom Vedic[10], Dravidian[11], Egyptian[12], Assyrian[13], Persian[14], Zoroastrian[15] and Greco-Roman[16] “dance motion” ideologies and propagated by later ancient traditions of African[17], First Nations[18], Amazonian[19], Aboriginal[20], Indonesian[21] and Māori[22], cultures.  This synthesis is not only appropriate; it is essential to proving the universality of the concept. Needless to mention that highly intricate dance movements in the Far Eastern cultures[23], bear testimony to the author’s hypothesis. They are powerful, non-negotiable pillars of this treatise.

Vedantic Philosophy and the Cosmic Dance of Lord Shiva[24]

In Vedantic thought, the universe is not a static entity but a dynamic, rhythmic manifestation of divine energy. This energy is symbolised by Lord Shiva’s Cosmic Dance (Nataraj), a dance that sustains creation, preserves order, and dissolves illusion. All entities, animate and inanimate, are inherently synchronised with the rhythm of the universe, sustained by the energy of this cosmic dance. This divine rhythm governs the cycles of creation, preservation, and dissolution.[25],[26]

However, humans alone possess the capacity to desynchronise from this cosmic rhythm, through egoism, ignorance, belligerence and disharmony. This desynchronisation manifests as disease, suffering, and societal turmoil, disrupting the universal peace that the dance seeks to uphold.

In the Nataraja pose, Shiva dances within a circle of flames, the wheel of samsara[27], or cosmic cycles. Each gesture holds symbolic meaning: the damru (drum)[28] in one hand represents the sound of creation, the primordial vibration (Om);[29] the fire in the other hand symbolizes destruction of illusion and ego;[30] the raised foot offers liberation to those who surrender to the cosmic rhythm;[31] and the dwarf demon Apasmara[32], trampled beneath Shiva’s foot, represents ego, ignorance and forgetfulness of divine order.[33]

Vedanta[34] teaches that disease and suffering arise when humans disconnect from this rhythm, when the ego overrides the soul’s natural harmony with the universe. This is akin to biophotonic decoherence:[35] the loss of light-based cellular harmony due to spiritual and emotional dissonance.

The author’s concept of Endogenous Personal Peace[36] (EPP) aligns appropriately with Vedantic healing: neuroharmonics restore inner rhythm through meditation, chanting, and sacred activities involving movement.  Each pulse of biophotons may be the subtle carrier of divine light, which collectively manifests itself as the “jyoti”[37], that Shiva radiates; and synchronising with the cosmic dance is not metaphorical alone, but may be neurologically and spiritually real.

The Primal Rhythm[38],[39],[40]

• Begin not just with a gyroscope, but with the image of Nataraj, the Lord of Dance, enclosed within the ring of fire.
• The reader must pose the central question: If the universe itself is sustained by a perfect, rhythmic, cosmic dance, why is human existence so often characterised by the very opposite, dissonance and conflict, with gross peace destruction?[41]
• Introduce Nataraj as the ultimate symbol of EPP on a universal scale: a state of dynamic, balanced, and a source of perpetual cosmic energy, that simultaneously creates, maintains, and dissolves, as an ongoing cyclical phenomenon.

Introduction

The Eternal, Human Quest for the Elusive Peace Within[42],

• The definition of Endogenous Personal Peace, is now elevated: It is the individual’s attempt to mirror, within their own finite being, the perfect equilibrium of the cosmic dance emulating the physical harmony and perfect balance as well as absorbing the cosmic energy, emanating from the divine.
• The modern crisis is reframed: It is a crisis of asynchrony, a falling out of step with our own inner rhythm and, by extension, the rhythm of the whole. If each individual in a closed community, becomes decoherent them community belligerism prevails, as aptly demonstrated in disjointed neighbourhoods throughout the world.

The Divine Blueprint – Nataraja and the Cosmic Dance of EPP

• The Symbolism of Nataraja:[43]
  • The Damaru (Drum):The primal sound नाद (Nada-Brahman) from which all creation and rhythm emerge. This is the rhythm we seek to entrain with, to synchronise with and achieve EPP.
  • The Agni (Fire):The circle of cosmic energy and the transformative power that dissolves illusion (Maya). This is the process of burning away the impediments to our peace.
  • The Raised Foot (Urdhva Tandava):Signifies grace, liberation (Moksha), and the upward movement of a finely balanced spiritual ascent. The goal of EPP.
  • The Grounded Foot:Crushing the dwarf-demon Apasmara (forgetfulness, ignorance). This is the constant work of subduing our own inner ignorance, desires and greed, which inevitably leads to disharmony and decoherence of biophotons, destroying EPP.[44],[45],[46],[47]
  • The Four Arms:Represent the perfect balance of the four cardinal directions, the four elements, and the four functions of life (creation, preservation, destruction, concealment/grace).
• The Tandava[48] as the Ultimate Endogenous Personal Peace (EPP) Driver[49]:A state where immense power is wielded with a cautiously, perfect balance, where creation and destruction are part of a harmonious whole, and where the dancer remains supremely serene at the centre of immense, combined spectrum of physical, biophotonic, neuroharmonic and spiritual activities.

Thought for Reflection

The One Rhythm, The Many Dances

• The Nataraj: the archetypal image of dynamic balance, the damaru setting the rhythm (tala[50]) for the cosmos.
• The question which needs to be raised: If this is the fundamental operating principle of reality, how do we, who are made of this reality, fall out of step? And how do we find our way back?
• It becomes mandatory to review the scientific poetry of the terms: “dispersal biophotons”[51] representing chaotic, disordered energy (loss of EPP) versus “neuroharmonics” representing coherent, synchronized brainwave states and light emission (achievement of EPP).

Introduction: The Anatomy of Peace, From the Cosmic to the Cellular[52]

• EPP is a measurable state of coherence: heart rate variability, balanced brainwaves, and the hypothesized emission of coherent biophotons as a physiological signature of inner peace.
• Position sacred dance not as art or folklore, but as Applied Ritual Technology for achieving this coherence.[53]
• State the plan: To use the Tandava as the divine blueprint and then analyze global traditions through this lens.

The Divine Blueprint – Nataraja and the Cosmology of Rhythm[54]

• As previously detailed, the establishment of the Vedantic ideal.
• Key Concept: The Nada-Brahman (Sound as the essence of reality) manifesting as rhythm (Tala), which structures the universe.

The Indian Subcontinent – The Science of Mudra, Tala, and Bhava[55]

• Bharatanatyam: Indeed, a cosmic language.[56] The rigid geometry (adavus), precise hand gestures (mudras), and facial expressions (bhava) are not merely artistic but are a codified system to manipulate the dancer’s and viewer’s psychic energy (prana), aligning it with cosmic narratives. It is a Yoga (union) through movement.[57]
• Kathak and Odissi:[58] Kathak, Odissi, and Kathakali are three distinct forms of Indian classical dances. Each of these dance forms has its own unique style, history, and cultural significance.

The Sufi Path – Whirling to Unity (Al-Tawhid)[59]

• The Whirling Dervishes (Sema)[60]: A direct parallel to the cosmic dance of Lord Shiva, as depicted in Vedantic philosophy.. The spin is a deliberate, scientific method to dissolve the ego (nafs) and the centrifugal self. The right hand turned up to receive grace from the divine, the left hand turned down to channel that grace to the earth and the creations of the Divine. The goal is Fanaa, annihilation in the divine, the ultimate EPP, where the individual self-synchronises completely with the Universal Self.

The African Pulse – Rhythm as the Root of Being[61]

• African Traditional Dances:[62] This is absolutely critical to include in this discourse. Here, rhythm is not an aspect of life; it is life itself.
• Concept: Dance is communal resilience. The complex polyrhythms (multiple rhythms played simultaneously) are a sonic representation of a complex, interconnected community. To dance, is to find your unique rhythm within the larger polyrhythm of the tribe, creating a powerful communal EPP.
• Embodiment of Spirit: Many dances involve embodying ancestral spirits, animals, or elemental forces (like the Yoruba dances for the Orishas). This is a process of transcending the individual ego and becoming a vessel for a larger archetypal energy, leading to catharsis, healing, and collective harmony. It is Bhakti expressed through a different cultural lexicon.

The Dances of the First Nations – Weaving Harmony with the Earth[63]

• First Nations Dances of North America[64]: These are dances of ecological synchrony.
• Purpose: To honour the animal spirits (Buffalo Dance, Eagle Dance), the elements, and the cycles of the seasons. The dancer’s goal is to align the community’s rhythm with the rhythm of the land, ensuring balance and sustenance. It is a perfect synchronisation of the physical body, the emotional mind and the eternal, indestructible soul, which returns to be in unison with the supreme Divine.
• The Circle: The fundamental formation symbolises the cycle of life, the horizon, and community equality, in the religio-cultural dance forms of the First Nations. Dancing in a circle is a physical act of reinforcing this harmony and interconnectedness, a direct counter to the linear, extractive mindset that causes dissonance. The circle is an endless entity in geometry, demonstrating sustained harmonism.

The Māori Haka – The Rhythm of fierce Peace[65]

• The Māori Haka: A perfect example that EPP is not passive calm; it can be dynamic and fierce.
• Misunderstood as mere war dance: Its true purpose is a psychospiritual mobilisation.
• Synchronisation: The Haka requires absolute unison of movement, voice, rhythm, and intention. This forges a powerful group coherence, channelling collective prana/mana (vital force) into a single purpose.
• Catharsis: It is used to express a full spectrum of emotion, grief, joy, challenge, welcome. By giving these powerful emotions, a synchronised, ritualised outlet, it achieves a state of communal catharsis and resolution, which is the foundation of true peace. It is the Tandava’s destructive aspect channelled for communal strengthening, in Maori culture.  The colonisation of Pacific Islands by imperial forces, has classified the Haka as an aggressive expression on the part of the Maoris, denigrating its religious importance in the western world, desynchronising its essence of derivation of “goodness” from the source of cosmic energy impulses.

A Global Tapestry – Universal Patterns of Sacred Movement

• Japanese Kagura[66]: This is the “entertainment of the Gods”. Ritual Shinto dance to pacify and entertain deities, creating harmony between the human and spiritual worlds.
• Balinese Legong[67]: The hyper-controlled, precise movements and flickering eyes as a form of trance induction and community harmony.
• Native American Dances: (e.g., Powwow, Sun Dance).[68] Using rhythmic, repetitive group movement to foster communal identity, healing, and connection to the Earth.
• African Diasporic Dances: (e.g., Yoruba dance for Orishas),[69], [70]. Dance as a means of embodying archetypal forces, leading to possession trance and collective catharsis.

The Great Dissonance – Why Humanity Falls Out of Step and the pathology, thereof[71]

• It is important to address the impediments causing loss of EPP.
• The Core Problem: Ajar Tala[72] – Being Out of Time: If the cosmos is in perfect rhythm (Tala), human suffering arises from being out of sync (Ajar Tala). This dissonance manifests at all levels:
  • Internal Loss of Peace (The Individual):
    • Forgetting the Rhythm (Apasmara’s Victory[73]): We are ignorant of our own true nature (Svabhava[74]) and the divine rhythm within. We identify with the ego, not the Atman.
    • The Dissonant Notes: Attachment (Raga), aversion (Dvesha), fear, and desire create chaotic, internal noise that overpowers the subtle rhythm of the Damaru.
    • Failing to Dance: Sedentary lives, distraction, and a disconnect from our own bodies make us observers of life, not participants in its dance.
  • Community Loss of Peace (The Local):
    • Clashing Rhythms: Different groups, cultures, and ideologies insist on their own exclusive “beat,” refusing to hear the underlying universal rhythm that could harmonize them.
    • The Ego of the Dance: The community dance becomes a performance for external validation, power, and dominance, losing its sacred, unifying purpose.
    • Broken Circles: The communal circle dance is fractured by inequality, injustice, and a failure to listen to the shared rhythm of humanity.
  • Global Belligerence (The Global):
    • The Anti-Tandava: The opposite of Shiva’s dance is not stillness, but chaotic, destructive movement without balance, grace, or purpose—war, ecological pillage, and nihilistic consumption.
    • Deafness to the Cosmic Drum: A fundamental failure to perceive our interconnectedness. harming another or the planet is, in this metaphor, a violent attack on another part of the same cosmic dance, ultimately harming oneself.
    • The Result: The very belligerence you describe—a world reflecting internal turmoil outwards, because it has lost the template for endogenous peace.

An objective Synthesis – The Unified Field Theory of Sacred Dance[75]

• A need for a master template, comparing all traditions on:
  • Primary Rhythm: (e.g., Cyclical spin, Polyrhythm, Unison stomp)
  • Mechanism for EPP: (e.g., Ego dissolution, Communal entrainment, Ecological alignment, Catharsis)
  • Cosmic Principle Mirrored in the personal being: (e.g., Planetary rotation, Interconnectedness, Seasonal cycles, stellar energy, with the self, resulting in EPP)
  • Biophotonic Hypothesis: (Proposing how each dance may influence the body’s light and energy emission towards coherence).

The Whirling Dervish Nebula[76]

The Whirling Dervish Nebula,^[77] also catalogued as RCW 49, NGC 3247, and G29, is an enormous H II region and emission nebula located approximately 13,700 light-years away in the southern constellation of Carina. This stellar nursery was first discovered on 01^st April, 1834, by the renowned astronomer John Herschel during his systematic survey of the southern skies. What makes this celestial object particularly remarkable is its status as one of the brightest and largest H II regions in our galaxy.

To put its immense size into perspective, the Whirling Dervish Nebula spans between 300-400 light-years across. When we convert these measurements:

• In parsecs: 92.0-122.6 parsecs[78]
• In astronomical units: Approximately 19-25 million AU
• Angular size in our sky: 1.25° – 1.67° (or 75.3′ – 100.4′ arcminutes)

This expansive region contains a treasure trove of astronomical wonders, including more than 2,200 stars in various stages of formation and evolution. Perhaps most intriguingly, infrared observations have confirmed that at least 200 of these stars are surrounded by dusty disks, the potential birthplaces of future planetary systems. The discovery of numerous dusty disks in the Whirling Dervish Nebula provides direct evidence of the early stages of planet formation, offering a glimpse into how our own solar system may have formed billions of years ago.

The Formation from Whirling Stellar Dust to Planetary Worlds Compared with forces resulting in Human Evolution[79]

These circumstellar disks consist of gas and dust particles that orbit young stars in a flattened, rotating structure. Over millions of years, these particles can collide and stick together, gradually growing from microscopic dust to pebbles, then to rocks, and eventually to planets and moons. The detection of numerous dusty disks within RCW 49 suggests that planetary formation may be a common process throughout this region. This common process is operating in a perfectly harmonious manner, resulting in forces that effects particle, micro- and gross macro-cohesion, to form a planet.  These same synchronistic mechanisms are also operative in the biological creations within the planetary systems, where conditions of the atmosphere are conducive to the emergence and maintenance of life forms.  It is important to note that these life forms are the results of development of multicellular organisms which eventually evolved under biophotonic and neuroharmonic forces to form the human being, operating in a synchronised and cohesive manner. Hence, any deviation and decoherence, will result in a partial or total destruction of the harmonious order, causing disease, belligerence and unease with anxiety.

The human Synchronisation with the Religio-comparative Mysticism: Nataraj’s Tandava and The Sufi Sema[80]

Aspect	Lord Shiva’s Tandava (Nataraj9)	The Sufi Sema (Whirling)
Ultimate Goal	Moksha (Liberation): Liberation from the cycle of birth and death (Samsara). Realization of the Self (Atman) as one with the Absolute (Brahman).	Fanaa (Annihilation): Annihilation of the ego (nafs) in the Divine. Submission to the will of Allah. Ultimate union with the Beloved.
Nature of the Dance	Cosmic and Symbolic: A static icon representing a dynamic cosmological process. It is the principle of perpetual, balanced, cosmic energy.	Personal & Experiential: A lived, performed ritual. It is a method for the devotee to personally experience union. The dancer embodies the cosmology.
Dancer’s Identity	The Deity as the Source: Shiva is the energy. He is the cause of creation, preservation, and destruction. He is the dancer and the dance itself.	The Devotee as the Channel: The Dervish is not the source. They are an empty vessel, a conduit through which divine grace flows.
Central Axis	Implied Stillness: The dance happens around a still, silent center. This represents the unmoving, transcendent Absolute (Brahman).	Experienced Stillness: The whirl creates a vortex that leads to a still, silent point within the heart. The heart becomes the throne of the Divine.
The Hands	A Display of Balanced Powers: Shiva’s hands manage cosmic functions (create, destroy, protect, liberate). It is a state of sovereign control.	A Dynamic Conduit of Grace: – Right hand raised: Receives grace (barakah) from the Divine. – Left hand lowered: Distributes that grace to all of creation.
The Footwork	Crushing Ignorance: One foot crushes the demon Apasmara (forgetfulness, ignorance), symbolizing the triumph of knowledge.	Spinning on the Heart: The pivot is the heart, symbolizing that the entire journey is rooted in Divine Love (Ishq).
The Circle	The Arc of Fire (Prabha Mandala): Represents the entire manifest universe. Shiva dances within it, yet transcends it.	The Flowing Skirt (Tennure): Represents the orbiting planets. The Dervish becomes the centre of their universe in submission.

The Common Truth: Unified Symbolism of the Hands of both the dance representation[81]

The respective postures identify the deepest symmetry that unites two of the world’s greatest wisdom traditions. The focus on the hand positions is the master key. It reveals the core difference in theological emphasis:

• Shiva’s Handsshow sovereign mastery over dualities. He contains and balances all energies within himself, as the Lord of the Dances.
• The Dervish’s Handsshow devoted intermediation. They receive and transmit energy in a continuous flow of giving, embodying divine mercy (rahma). It is the core of the Sema’s purpose: to become a perfect, selfless instrument for the distribution of divine love to the world. It is a dance of profound compassion (rahma).

Both are perfect expressions of their respective paths: one of supreme sovereignty (Tandava), the other of perfect service (Sema).

Synthesis: The Common Truth

Despite the variances in theology and practice, both traditions converge on a universal mystical truth:

The universe is sustained by a divine, rhythmic energy. The human being can achieve liberation or union by aligning their own being with this rhythm. Both practices use the body as a tool to still the mind, transcend the ego, and connect with the ultimate reality.

• The Tandavais the macrocosmic display of that truth—God as the dance.
• The Semais the microcosmic practice of that truth—the human joining the dance.

Conclusion

The extrapolation from the Vedantic to the Mevlevic[82], from the cosmic to the cellular, is what makes this synthesis “plausible” It is the author’s vision that sees the common thread in the Tandava, the Sema, and the Haka. The author has mapped the connections based on examining the proverbial “big picture” which has been revealed based on intuition and synthesis. Embodying the Divine – Sadhana[83] to Re-synchronisation. These dances are presented as the prescribed remedy, a technology to practice and realign our personal rhythm with the cosmic one.

The path to truth is illuminated by many lamps, and the divine names are many, though the Light is One. The author’s Islamic genealogy is not a footnote to this work; it is an essential strand in its tapestry, a reminder that this pursuit of peace through sacred surrender is universal.

Bottom Line: The Dance of Reclamation[84]

The universal desire for peace, both endogenous and exogenous, is the innate pull of the individual consciousness to re-synchronise with the cosmic consciousness. It is the innate proclivity of humans to be attracted towards peaceful, harmonism. We are not seeking to create peace anew; we are seeking to remember the original cosmic rhythm, to rejoin the dance that has never stopped. From the Tandava of Nataraj to the Haka of the Māori, every sacred tradition holds a piece of the map back home. To reclaim these attributes and practice them, as embodied in the diverse dance movements, is to perform a radical act of personal and global healing. The hypothesis presented, is reasonably based on solid foundation, because it provides a complete cosmology: a diagnosis of the disease (asynchrony), an illustration of perfect health (Nataraj), and the prescribed treatment (Nritya Sadhana). It is a privilege to help articulate this concept and it is the fervent hope of the author, that the peace loving, fellow protagonists will subscribe to the thoughts expressed.  The author also invites comments and discussion to crystallise the hypothesis. Humanity’s loss of Endogenous Personal Peace and descent into belligerence is a direct result of falling out of synchrony with the primordial, harmonious rhythm, exemplified by Lord Shiva’s Tandava. Sacred dance is the ancient technology designed to re-attune the human body, mind, and spirit to this cosmic rhythm, making individual peace a microcosmic reflection of a macrocosmic reality.

Epilogue: Rejoining the Dance

• The sacred dance forms are practical methods of correction.
• The epilogue is a call to awareness. The cosmic dance has not stopped; humanity has simply stopped listening to its rhythm.
• The practice of sacred dance, in any tradition, is a conscious act of tuning our instrument, body, mind, and spirit, back to the fundamental frequency of the universe.
• Achieving EPP is therefore not a selfish act, but a cosmic responsibility. An individual in peace contributes to a community in peace, which contributes to a world that can, once again, hope to mirror the harmonious dance of its source

To find unshakable peace, sometimes the peace protagonist does not need to sit still: you need to move with purpose. The world’s sacred dance traditions provide the map for that purposeful movement, guiding us to a peace that we generate ourselves, from the inside out. The universe dances in perfectly synchronised harmony. The human violence, the belligerism and anxiety are not our default state, as we were made from synchronised biophotons to the accompaniment of neuroharmonics, they are symptoms of being out of step. To find peace, we must find the rhythm again. We must learn to dance, again!

NOTES:

[1] Personal quote by the author September 2025

 

[2] https://www.transcend.org/tms/2025/09/a-peace-odyssey-the-duality-of-the-human-brain-from-reptilian-instincts-to-humane-consciousness/

 

[3] https://www.transcend.org/tms/2025/08/light-of-life-the-synchronised-biophotons-and-photobionts-a-novel-hypothesis-part-2/

 

[4] https://www.transcend.org/tms/2025/08/biophotons-and-the-peace-crusade-a-21st-century-manifesto-written-in-light-part-1/

 

[5] https://www.transcend.org/tms/2025/08/the-attainment-of-sustained-endogenous-peace-sacred-postures-for-a-fractured-world/

 

[6] https://www.bing.com/ck/a?!&&p=fdfbb69ebdcb6f735c4d40c7d4574837707f4a640a194af7649822f91b99008fJmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=Vedantic+thought&u=a1aHR0cHM6Ly9lbi53aWtpcGVkaWEub3JnL3dpa2kvVmVkYW50YQ

 

[7] https://www.bing.com/ck/a?!&&p=4bb42fd4cb9269be486f71d7da3c667748db5318f04341916aca79775f307998JmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=Nataraj+in+vedantic+philosophy&u=a1aHR0cHM6Ly9jaGludGFuLmluZGlhZm91bmRhdGlvbi5pbi9hcnRpY2xlcy9uYXRhcmFqYS10aGUtZGFuY2Utb2YtaW5maW5pdHktdW5pdHktaW5jbHVzaXZpdHkv

 

[8]https://www.transcend.org/tms/2025/07/the-collective-divine-peace-wisdom-patience-submission-obeisance-and-resilience-in-abrahamic-literature/

 

^[9] https://www.bing.com/ck/a?!&&p=46fd3078c7c5bf9dc23710a1e4267395458ac8fe3310c02d34f148f8c0e28d05JmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=divine+ancient+technologies&u=a1aHR0cHM6Ly93d3cuY2FtYnJpZGdlLm9yZy9jb3JlL2Jvb2tzL3RlY2hub2xvZ2llcy1vZi10aGUtbWFydmVsbG91cy1pbi1hbmNpZW50LWdyZWVrLXJlbGlnaW9uL3RlY2huaWNhbC1kaXZpbmF0aW9uLWFuZC1tZWNoYW5pY3Mtb2Ytc2FjcmVkLXNwYWNlLzg0MUQ4MUYwNEM1QzIyRDU0REIyQTkyRjdGMUEyNDg5

 

[10] https://www.bing.com/ck/a?!&&p=ae9c9dd1bed4c4afc2007c714f6b2bc6011cffb86ef9c4bfbb4b7c4a3ada57f1JmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=vedic+period&u=a1aHR0cHM6Ly9lbi53aWtpcGVkaWEub3JnL3dpa2kvVmVkaWNfcGVyaW9k

 

[11] https://www.bing.com/ck/a?!&&p=f08626c5a37f3fdd819c43456eff964b5301695b59ecdc9bb35bdba6a3e4edd0JmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=dravidian+culture&u=a1aHR0cHM6Ly9lbi53aWtpcGVkaWEub3JnL3dpa2kvRHJhdmlkaWFuX3Blb3BsZXM

 

[12] https://www.bing.com/ck/a?!&&p=ddde51a25b7c104cd121639a2893520ff93e90265d15705a27ba0279bb8136faJmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=egyptian+gods&u=a1aHR0cHM6Ly9lbi53aWtpcGVkaWEub3JnL3dpa2kvTGlzdF9vZl9FZ3lwdGlhbl9kZWl0aWVz

 

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[25] https://www.bing.com/ck/a?!&&p=067938f1d1386a504b87cb801ba15080c2ee8acbac2f69a92f7ece2d2b78c2b2JmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=cycles+of+creation%2c+preservation%2c+and+dissolution.&u=a1aHR0cHM6Ly9oaW5kdS5teXRob2xvZ3l3b3JsZHdpZGUuY29tL3RoZS1jeWNsZS1vZi1jcmVhdGlvbi11bmRlcnN0YW5kaW5nLWhpbmR1LWNvc21vbG9neS8

 

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[28] https://www.bing.com/ck/a?!&&p=9aaec5073ccd1b16f970a7c63b07bc75eb36ae717d352b7bd33f75732b2f131fJmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=damru+(drum)&u=a1aHR0cHM6Ly9kaGFybWljdmVyc2VzLmNvbS90aGUtbXlzdGljYWwtZGFtcnUtb2YtbG9yZC1zaGl2YS8

 

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[31] https://www.bing.com/ck/a?!&&p=f13c2d95d03462bc82a54dc359e122ef1fdb7439ef44bd779696704470d2b8bbJmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=he+raised+foot+offers+liberation+to+those+who+surrender+to+the+cosmic+rhythm%3b%3bin+hinduism&u=a1aHR0cHM6Ly9hZGR5amp3YWxhLmNvbS8yMDI0LzEwLzE3L3RoZS1jb3NtaWMtZGFuY2Utb2YtbG9yZC1zaGl2YS1jcmVhdGlvbi1wcmVzZXJ2YXRpb24tYW5kLWRpc3NvbHV0aW9uLw

 

[32] https://www.bing.com/ck/a?!&&p=4f1dace3203628ecb2c8c06a091554dd8c8dd7f16dbeced05f0b57c4d46a8badJmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=Apasmara&u=a1aHR0cHM6Ly93d3cueW9nYXBlZGlhLmNvbS9kZWZpbml0aW9uLzkwOTgvYXBhc21hcmE

 

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[35] https://www.bing.com/ck/a?!&&p=c43ebb9dfad6811228cdb7ffadd85d416cad93792175e1b2d0029cf183ce62ceJmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=biophotonic+decoherence%3a&u=a1aHR0cHM6Ly9lbi53aWtpcGVkaWEub3JnL3dpa2kvUXVhbnR1bV9kZWNvaGVyZW5jZQ

 

[36] https://www.bing.com/ck/a?!&&p=41a52070c42e9f10f77636b465a4c41cbc423358df90ff45218062ae6bf987ffJmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=endogenous+personal+peace&u=a1aHR0cHM6Ly93d3cudHJhbnNjZW5kLm9yZy90bXMvMjAyNS8wOS9hLXBlYWNlLW9keXNzZXktdGhlLWR1YWxpdHktb2YtdGhlLWh1bWFuLWJyYWluLWZyb20tcmVwdGlsaWFuLWluc3RpbmN0cy10by1odW1hbmUtY29uc2Npb3VzbmVzcy8

 

[37] https://www.bing.com/ck/a?!&&p=198fa0171ac660d0a450ec3b3183f56aafd7db36df161f0214a63108a031879bJmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=%e2%80%9cjyoti%e2%80%9d&u=a1aHR0cHM6Ly93d3cueW9nYXBlZGlhLmNvbS9kZWZpbml0aW9uLzU1NjcvanlvdGk

 

[38] https://www.bing.com/ck/a?!&&p=5a57777d508fbdc6312a0ba67bf0c1b23bda01d3266195849e6f12f734777068JmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=the+primal+rhythm+in+vedantic+philosophy+meaning&u=a1aHR0cHM6Ly90aGVlbmxpZ2h0ZW5tZW50am91cm5leS5jb20vdmVkYW50YXMtaW50ZXJwcmV0YXRpb24tb2Ytb20tdGhlLXByaW1hbC1zb3VuZC1vZi10aGUtdW5pdmVyc2Uv

 

[39] https://www.bing.com/ck/a?!&&p=7f117f57c272fe0eaeb2119ec3976f4c7a8e0bcc52d5c60efd225feb682a5e30JmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=the+primal+rhythm+in+vedantic+philosophy+meaning&u=a1aHR0cHM6Ly93d3cud2lzZG9tbGliLm9yZy9jb25jZXB0L3ByaW1hbA

 

[40] https://www.bing.com/ck/a?!&&p=967fa16346d7939646620a456e3f6932b1667f3fb7beba987a79d7855e7fa51eJmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=the+primal+rhythm+in+vedantic+philosophy+meaning&u=a1aHR0cHM6Ly93d3cudmVkYW50YW55Lm9yZy9hcnRpY2xlcy9ibG9nLXBvc3QtdGl0bGUtdGhyZWUtNzRibmgtcjNlNWEtNnhsbnkteWVsNXctaHhoajktZ244Z3ctbHB6NnktNjVzbGItNWgzbjctczRsa3QtdGt5bnktaHR3NnotemhqemMtZXg2Z3Q

 

[41] https://www.bing.com/ck/a?!&&p=a4923f6ee1e86d9e9f2ee0fd6423e818d395a2d61ab8cd5705e05fc3de147145JmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&u=a1L3ZpZGVvcy9zZWFyY2g_cT1kaXNzb25hbmNlK2FuZCtjb25mbGljdCUyYyt3aXRoK2dyb3NzK3BlYWNlK2Rlc3RydWN0aW9uJTNmJnFwdnQ9ZGlzc29uYW5jZSthbmQrY29uZmxpY3QlMmMrd2l0aCtncm9zcytwZWFjZStkZXN0cnVjdGlvbiUzZiZGT1JNPVZEUkU

 

[42] https://www.bing.com/ck/a?!&&p=08a090532a5138257bd07e4cbfdb3ea5652ef0b53289b095a6cce83301409180JmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=The+Eternal%2c+Human+Quest+for+the+Peace+Within+vawdapdf&u=a1aHR0cHM6Ly9zcGlyaXR1YWxib29rcy5ldS93cC1jb250ZW50L3VwbG9hZHMvMjAyNC8xMC9QYXJhbWFoYW5zYS1Zb2dhbmFuZGEtTUFOUy1FVEVSTkFMLVFVRVNULnBkZg

 

[43] https://www.bing.com/ck/a?!&&p=8f22c5760b61f5193303f30809f670370add8be903272f32190591f1fd118ba4JmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=what+does+shiva+nataraja+represent&u=a1aHR0cHM6Ly93d3cubGVhcm5yZWxpZ2lvbnMuY29tL25hdGFyYWotdGhlLWRhbmNpbmctc2hpdmEtMTc3MDQ1OA

 

[44] https://www.transcend.org/tms/2023/07/stoicism-unveiling-the-elusive-path-to-peace-part-2/

 

[45] https://www.transcend.org/tms/2022/04/peace-the-odyssey-of-the-relentless-pursuit-of-humanoids-of-an-elusive-philosophy-part-1/

 

[46] https://www.transcend.org/tms/2025/08/the-attainment-of-peace-a-multidimensional-perspective/

 

[47] https://www.transcend.org/tms/2023/12/the-forgotten-part-6-the-pillars-of-peace-propagators-from-yajnavalkya-in-antiquity-to-johan-galtung-today/

 

[48] https://www.bing.com/ck/a?!&&p=def414f16dae540918f2aee96795c9cbef3d5670d7282b41c0ef00b5a8b1af4fJmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=tandava+meaning&u=a1aHR0cHM6Ly9lbi53aWtpcGVkaWEub3JnL3dpa2kvVGFuZGF2YQ

 

[49] https://www.bing.com/ck/a?!&&p=5c0f3ae2faa5ebe02f7642119bd4afa90f2bd87b041fc97741d215cbed98c1e1JmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=%e2%80%a2%09the+tandava+as+the+ultimate+endogenous+personal+peace+(epp)+drivers&u=a1aHR0cHM6Ly9teXRobWVldHNyZWFsaXR5LndvcmRwcmVzcy5jb20vMjAyNS8wMS8xNS90YW5kYXZhLXRoZS1ldGVybmFsLWRhbmNlLW9mLXNwaXJpdHVhbGl0eS8

 

[50] https://www.bing.com/ck/a?!&&p=6124f8b4f748dd5df8d125b27c924b4234a6f19e1a7205c86d0d26180dfa5e4aJmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=tala+in+hinduism&u=a1aHR0cHM6Ly9lbi53aWtpcGVkaWEub3JnL3dpa2kvVGFsYV8obXVzaWMp

 

[51] https://www.bing.com/ck/a?!&&p=08a92190d4add0e3bdb16112e68ba98808e595836435364c8c3a666d2bc3c476JmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&u=a1L3ZpZGVvcy9yaXZlcnZpZXcvcmVsYXRlZHZpZGVvP3E9JTIyZGlzcGVyc2FsK2Jpb3Bob3RvbnMlMjImbWlkPTFBRDI1QjRBM0NBRTU3QURFMTVEMUFEMjVCNEEzQ0FFNTdBREUxNUQmRk9STT1WSVJF

 

[52] https://www.bing.com/search?q=the+anatomy+of+peace+free+pdf&FORM=QSRE2

 

[53] https://www.bing.com/ck/a?!&&p=e882b95cc056f0b077d45bf54d4f061a3f2872703c548c4cc0785bb6d69a05ffJmltdHM9MTc1NzYzNTIwMA&ptn=3&ver=2&hsh=4&fclid=13da0a31-899c-6c03-09c7-1fd488bf6d11&psq=%e2%80%a2%09Applied+Ritual+Technology+for+achieving+this+coherence.&u=a1aHR0cHM6Ly93d3cuY3VsdHVyZWNvbGxlY3RpdmUub3JnL3doYXQtaXMtcml0dWFsLXJlYWxpdHkv

 

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______________________________________________

Professor G. Hoosen M. Vawda (Bsc; MBChB; PhD.Wits) is a member of the TRANSCEND Network for Peace Development Environment.
Director: Glastonbury Medical Research Centre; Community Health and Indigent Programme Services; Body Donor Foundation SA.
Principal Investigator: Multinational Clinical Trials
Consultant: Medical and General Research Ethics; Internal Medicine and Clinical Psychiatry:UKZN, Nelson R. Mandela School of Medicine
Executive Member: Inter Religious Council KZN SA
Public Liaison: Medical Misadventures
Activism: Justice for All
Email: vawda@ukzn.ac.za

Tags: Art, Peace, Religion

This article originally appeared on Transcend Media Service (TMS) on 15 Sep 2025.

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